| Remix Theory: The Aesthetics of Sampling |
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| DATE: 2013-04-07 SIZE: 2,88MB DISKS: 01_______4,77MB PAGES: |
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| PUBLISHER: Springer GENRE: Music |
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| AUTHOR: Navas, Eduardo |
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| FORMAT: PDF PROTECTION: none EDITION: |
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| URL: http://is gd/pLNjTV |
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| LANGUAGE: English ISBN: 978-3-7091-1263-2 |
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: Remix Theory: The Aesthetics of Sampling is an analysis of Remix in art, :
: music, and new media. Navas argues that Remix, as a form of discourse, :
: affects culture in ways that go beyond the basic recombination of material.:
: His investigation locates the roots of Remix in early forms of mechanical :
: reproduction, in seven stages, beginning in the nineteenth century with the:
: development of the photo camera and the phonograph, leading to contemporary:
: remix culture. This book places particular emphasis on the rise of Remix in:
: music during the 1970s and '80s in relation to art and media at the :
: beginning of the twenty-first Century. Navas argues that Remix is a type of:
: binder, a cultural glue—a virus—that informs and supports contemporary :
: culture. :