Over the past decade I have seen Maya Talmon-Chvaicer’s interest in Capoeira Brazilian Martial arts.
the Portuguese enslavement of Africans come together in an extraordinary
fashion as she came to realize that an analysis of the history and
anthropology of Capoeira could provide a new entrée into Brazilian cultural
development.
This book presents us with many voices, and combines them in an a capella
performance of great artistry. We hear the voices of the white authorities, of the
enslaved Africans, and of the black, mixed-race, and white Capoeiras, all changing
over time, all interacting. In the authorities’ view Capoeira changed from the
play of the enslaved to the violent war games of “disruptive bandits,” and then,
remarkably, it was rehabilitated and eventually became the Brazilian national
sport