Herbie Hancock - Almost Discography 1962-2005, [Lossy MP3 192 Kbps] Ja torrent

Herbie Hancock - Almost Discography 1962-2005




Herbie Hancock - 1962 - Takin' Off:

01. Watermelon Man.mp3

02. Three Bags Full.mp3

03. Empty Pockets.mp3

04. The Maze.mp3

05. Driftin'.mp3

06. Alone And I.mp3

07. Watermelon Man (Alternate Take).mp3

08. Three Bags Full (Aternate Take).mp3

09. Empty Pockets (Alternate Take).mp3



Herbie Hancock - 1963 - My Point of View:

01. Blind Man, Blind Man.mp3

02. A Tribute To Someone.mp3

03. King Cobra.mp3

04. The Pleasure Is Mine.mp3

05. And What If I Don't.mp3

06. Blind Man, Blind Man (alt).mp3

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Herbie Hancock - 1964 - Empyrean Isles:

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00-herbie_hancock-empyrean_isles-1964.sfv

01. herbie_hancock-one_finger_snap.mp3

02. herbie_hancock-oliloqui_valley.mp3

03. herbie_hancock-cantaloupe_island.mp3

04. herbie_hancock-the_egg.mp3

05. herbie_hancock-one_finger_snap_(alternative_take).mp3

06. herbie_hancock-oliloqui_valley_(alternative take).mp3



Herbie Hancock - 1964 - Inventions And Dimensions:

01. Succotash.mp3

02. Triangle.mp3

03. Jack Rabbit.mp3

04. Mimosa.mp3

05. A Jump Ahead.mp3

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Herbie Hancock - 1968 - Speak Like A Child:

01 Riot.mp3

02 Speak Like A Child.mp3

03 First Trip.mp3

04 Toys.mp3

05 Goodbye to Childhood.mp3

06 The Sorcerer.mp3

07 Riot (1st alternate take).mp3

08 Riot (2nd alternate take).mp3

09 Goodbye to Childhood (alternate take).mp3

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Herbie Hancock - 1969 - Fat Albert Rotunda:

01. Wiggle-Waggle.mp3

02. Fat Mama.mp3

03. Tell Me a Bedtime Story.mp3

04. Oh! Oh! Here He Comes.mp3

05. Jessica.mp3

06. Fat Albert Rotunda.mp3

07. Lil' Brother.mp3

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Herbie Hancock - 1969 - The Prisoner:

01. I Have a Dream.mp3

02. The Prisoner.mp3

03. Firewater.mp3

04. He Who Lives in Fear.mp3

05. Promise of the Sun.mp3

06. The Prisoner [Alternate Take][-].mp3

07. Firewater [Alternate Take][-].mp3

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Herbie Hancock - 1970 - Mwandishi:

01. Ostinato (Suite for Angela).mp3

02. You'll Know When You Get There.mp3

03. Wandering Spirit Song  Priester.mp3



Herbie Hancock - 1971 - Crossings:

01. Sleeping Giant (Parts 1-5).mp3

02. Quasar.mp3

03. Water Torture.mp3



Herbie Hancock - 1972 - Sextant:

01. Rain Dance.mp3

02. Hidden Shadows.mp3

03. Hornets.mp3

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Herbie Hancock - 1973 - Head Hunters:

01. Chameleon.mp3

02. Watermelon Man.mp3

03. Sly.mp3

04. Vein Melter.mp3

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Herbie Hancock - 1974 - Death Wish - Original Soundtrack Album:

01. Death Wish (Main Title).mp3

02. Joanna's Theme.mp3

03. Do A Thing.mp3

04. Paint Her Mouth.mp3

05. Rich Country.mp3

06. Suite Revenge- A. Striking Back, B. Riverside Park, C. The Alley, D. Last Stop, E. 8Th Avenue Station.mp3

07. Ochoa Knose.mp3

08. Party People.mp3

09. Filll Your Hand.mp3

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Herbie Hancock - 1974 - Dedication:

01. Maiden Voyage.mp3

02. Dolphin Dance.mp3

03. Nobu.mp3

04. Cantaloupe Island.mp3




Herbie Hancock - 1974 - Thrust:

01. Palm Grease.mp3

02. Actual Proof.mp3

03. Butterfly.mp3

04. Spank-A-Lee.mp3



Herbie Hancock - 1975 - Flood:

01 Introduction_Maiden Voyage.mp3

02 Actual Proof.mp3

03 Spank-A-Lee.mp3

04 Watermelon Man.mp3

05 Butterfly.mp3

06 Chameleon.mp3

07 Hang Up Your Hang Ups.mp3




Herbie Hancock - 1976 - Man Child:

01. Hang Up Your Hang Ups.mp3

02. Sun Touch.mp3

03. The Trailor.mp3

04. Bubbles.mp3

05. Steppin' In It.mp3

06. Heartbeat.mp3



Herbie Hancock - 1976 - Secrets:

01. Doin' It.mp3

02. People Music.mp3

03. Cantelope Island.mp3

04. Spider.mp3

05. Gentle Thoughts.mp3

06. Swamp Rat.mp3

07. Sansho Shima.mp3

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Herbie Hancock - 1977 - Sunlight:

01. I Thought It Was You.mp3

02. Come Running To Me.mp3

03. Sunlight.mp3

04. No Means Yes.mp3

05. Good Question.mp3

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Herbie Hancock - 1977 - VSOP The Quintet:

01. One of a Kind.mp3

02. Third Plane.mp3

03. Jessica.mp3

04. Lawra.mp3

05. Introduction of Players Darts.mp3

06. Dolores.mp3

07. Little Waltz.mp3

08. Byrdlike.mp3



Herbie Hancock - 1977 - with Ron Carter and Tony Williams - The Trio:

01. Watch It.mp3

02. Speak Like A Child.mp3

03. Watcha Waitin For.mp3

04. Look.mp3

05. Milestones.mp3



Herbie Hancock - 1978 - An Evening With Herbie Hancock and Chick Corea:

1-01. Someday My Prince Will Come.mp3

1-02. Liza (All The Clouds'll Roll Away).mp3

1-03. Button Up.mp3

2-01. Introduction of Herbie Hancock by Chick Corea.mp3

2-02. February Moment.mp3

2-03. Maiden Voyage.mp3

2-04. La Fiesta.mp3

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Herbie Hancock - 1978 - The Piano:

01. My Funny Valentine.mp3

02. On Green Dolphin Street.mp3

03. Someday My Prince Will Come.mp3

04. Harvest Time.mp3

05. Sonrisa.mp3

06. Manhattan Island.mp3

07. Blue Otani.mp3

08. My Funny Valentine (Take 3).mp3

09. On Green Dolphin Street (Take 2).mp3

10. Someday My Prince Will Come (Take 3.mp3

11. Harvest Time (Take 3).mp3

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Herbie Hancock - 1980 - Mr. Hands:

01 Spriraling Prism.mp3

02 Calypso.mp3

03 Just Around The Corner.mp3

04 4 Am.mp3

05 Shiftless Shuffle.mp3

06 Textures.mp3



Herbie Hancock - 1981 - Magic Windows:

01. Magic Number.mp3

02. Tonight's the Night.mp3

03. Everybody's Broke.mp3

04. Help Yourself.mp3

05. Satisfied With Love.mp3

06. The Twilight Clone.mp3

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Herbie Hancock - 1981 - Quartet:

01. Well You Needn't.mp3

02. 'Round Midnight.mp3

03. Clear Ways.mp3

04. A Quick Sketch.mp3

05. The Eue Of The Hurricane.mp3

06. Parade.mp3

07. The Sorcerer.mp3

08. Pee Wee.mp3

09. I Fall In Love Too Easily.mp3



Herbie Hancock - 1983 - Future Shock:

01 Rockit.mp3

02 Future Shock.mp3

03 T. F. S..mp3

04 Earth Beat.mp3

05 Autodrive.mp3

06 Rough.mp3

07 Rockit (Mega Mix).mp3




Herbie Hancock - 1984 - Sound System:

01. Hardrock.mp3

02. Metal Beat.mp3

03. Karabali.mp3

04. Junku.mp3

05. People Are Changing.mp3

06. Sound System.mp3

07. Metal Beat (Extended Version).mp3

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Herbie Hancock - 1985 - with Foday Musa Suso - Village Life:

01. Moon-Light.mp3

02. Ndan Ndan Nyaria.mp3

03. Early Warning.mp3

04. Kanatente.mp3



Herbie Hancock - 1988 - Perfect Machine:

01. Perfect Machine.mp3

02. Obsession.mp3

03. Vibe Alive.mp3

04. Beat Wise.mp3

05. Maiden Voyage-P. Bop.mp3

06. Chemical Residue.mp3

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Herbie Hancock - 1994 - Dis is Da Drum:

01. Call_it_95.mp3

02. Dis_Is_Da_Drum.mp3

03. Shooz.mp3

04. The_Melody.mp3

05. Mojuba.mp3

06. Butterfly.mp3

07. Juju.mp3

08. Hump.mp3

09. Come_And_See_Me.mp3

10. Rubber_Soul.mp3

11. Bo_Ba_Be_Da.mp3

12. Call_It_95_(remix).mp3

13. Mojuba_(remix).mp3

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Herbie Hancock - 1995 - Jammin' With Herbie:

01. Herbies Blues.mp3

02. Rock your Soul.mp3

03. Jammin with Herbie.mp3

04. Hot and Heavy.mp3

05. Night Walker.mp3

06. Hot Piano.mp3

07. Live an Awake.mp3

08. Scootchie.mp3

09. With Fire.mp3

10. Afro Boogie.mp3

11. Far Out.mp3



Herbie Hancock - 1996 - The New Standard:

01. New York minute.mp3

02. Mercy Street.mp3

03. Norwegian wood (This bird has flown).mp3

04. When can I see you.mp3

05. You've got it bad girl.mp3

06. Love is stronger than pride.mp3

07. Scarborough Fair.mp3

08. Thieves in the temple.mp3

09. All apologies.mp3

10. Manhattan (Island of lights and love).mp3

11. Your gold teeth II.mp3



Herbie Hancock - 1997 - 1+1 w. Wayne Shorter:

01. Meridianne-A Wood Sylph.mp3

02. Aung San Suu Kyi.mp3

03. Sonrisa.mp3

04. Memory Of Enchantment.mp3

05. Visitor From Nowhere.mp3

06. Joanna's Theme.mp3

07. Diana.mp3

08. Visitor From Somewhere.mp3

09. Manhattan Lorelei.mp3

10. Hale-Bopp, Hip-Hop.mp3




Herbie Hancock - 1998 - Gershwin's World:

01. Overture (Fascinating Rhythm).mp3

02. It Ain't Necessarily So.mp3

03. The Man I Love.mp3

04. Here Come De Honey Man.mp3

05. St. Louis Blues.mp3

06. Lullaby.mp3

07. Blueberry Rhyme.mp3

08. It Ain't Necessarily So (Interlude).mp3

09. Cotton Tail.mp3

10. Summertime.mp3

11. My Man's Gone Now.mp3

12. Prelude In C# Minor.mp3

13. Concerto For Piano And Orchestra In G, 2Nd Movement.mp3

14. Embraceable You.mp3

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Herbie Hancock - 1999 - Maiden Voyage:

01. Maiden Voyage.mp3

02. The Eye Of The Hurricane.mp3

03. Little One.mp3

04. Survival Of The Fittest.mp3

05. Dolphin Dance.mp3



Herbie Hancock - 2000 - Lite Me Up:

01. lite me up!.mp3

02. the bomb.mp3

03. gettin to the good part.mp3

04. paradise.mp3

05. cant hide your love.mp3

06. the fun tracks.mp3

07. motor mouth.mp3

08. give it all your heart.mp3



Herbie Hancock - 2001 - Future 2 Future:

01. Kebero Part I.mp3

02. Wisdom.mp3

03. The Essence.mp3

04. This Is Rob Swift.mp3

05. Black Gravity.mp3

06. Tony Williams.mp3

07. Be Still.mp3

08. Ionosphere.mp3

09. Kebero Part II.mp3

10. Alphabeta.mp3

11. Virtual Hornets.mp3



Herbie Hancock - 2001 - Mr Funk:

01. Watermelon Man.mp3

02. Actual Proof.mp3

03. Hang Up Your Hangs Up.mp3

04. Heartbeat.mp3

05. Kuru - Speak Like A Child.mp3

06. Cantelope Island.mp3

07. Swamp Rat.mp3

08. Come Running To Me.mp3

09. 4 Am.mp3

10. Everybody's Broke.mp3

11. Rock It.mp3

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Herbie Hancock - 2002 - Day Dreams:

01 - day dreams.mp3

02 - kamli.mp3

03 - curro's.mp3

04 - herbie's blues.mp3

05 - it's a beautiful evening.mp3

06 - rock your soul.mp3

07 - one & awake.mp3

08 - hot piano.mp3

09 - jammin' with herbie.mp3

10 - witchfire.mp3

11 - nightwalkers.mp3



Herbie Hancock - 2002 - with Michael Breaker and Roy Hargrove - Directions in Music:

01 The Sorcerer.mp3

02 The Poet.mp3

03 So What_Impressions.mp3

04 Misstery.mp3

05 Naima.mp3

06 Transition.mp3

07 My Ship.mp3

08 D Trane.mp3

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Herbie Hancock - 2005 - Possibilities:

01. Stitched Up (Feat. John Mayer)-easymp3s.mp3

02. Safiatou (Feat. Santana and Angilique Kidjo)-easymp3s.mp3

03. A Song For You (Feat. Christina Aguilera)-easymp3s.mp3

04. I Do It For Your Love (Feat. Paul Simon)-easymp3s.mp3

05. Hush, Hush, Hush (Feat. Annie Lennox)-easymp3s.mp3

06. Sister Moon (Feat. Sting)-easymp3s.mp3

07. When Love Comes To Town (Feat. Joss Stone and Jonny Lang)-easymp3s.mp3

08. Don't Explain (Feat. Damien Rice and Lisa Hannigan)-easymp3s.mp3

09. Gelo No Montana (Feat. Trey Anastasio)-easymp3s.mp3

10. I Just Called To Say I Love You (Feat. Raul Midon)-easymp3s.mp3

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Jazz was once popular music, but as far as the jazz community of today is concerned, the less said about that, the better. For many fans and critics, jazz that is dissonant, demanding, and rhythmically complex is to be cheered, while jazz that is funky and direct is to be scorned. As such, the jazz community remains baffled and bemused by Herbie Hancock, a gifted composer and keyboardist who successfully plays both sides of the street.









Most jazz fans think of him as having started as the pianist in Miles Davis' classic mid-to late-'60s quintet, where his playing bridged the gap between the cool intellectuality of Bill Evans and the edgy abstractions of McCoy Tyner. But actually, Hancock's first big splash was in the pop end of jazz, having composed the Mongo Santamaria hit "Watermelon Man" (which went to #10 in 1963). His own take on the tune, recorded that same year and included on Takin' Off, is more hard bop than Latin pop, and uses its supple groove to fuel the improvisatory musings of Freddie Hubbard and Dexter Gordon. Hancock radically reinvented the tune 11 years later with his first dip into electro-funk, Headhunters. But there "Watermelon Man" played second fiddle to "Chameleon," the only single to put him within spitting distance of Billboard's Top 40 (it peaked at 42).



But let's get back to the '60s. Where his debut found him playing the sort of funky jazz Horace Silver was known for (though even Silver rarely got so soulful), My Point of View finds Hancock moving toward a more abstracted, Davis-oriented sound -- although "Blind Man, Blind Man," featuring guitarist Grant Green, does seem to proceed from that "Water-melon Man" groove. His subsequent sessions for Blue Note reflect a steady move away from pop-jazz. That doesn't mean they aren't tuneful; the dreamy title track from Maiden Voyage, for instance, quickly became a jazz standard. But Inventions and Dimensions (which was briefly available under the title Succotash) proffers loosely structured experiments with Latin rhythms; Empyrean Isles and Maiden Voyage are Davis-influenced small-group sessions with Freddie Hubbard on trumpet; Speak Like a Child and The Prisoner use slightly larger ensembles to extend the coloristic possibilities of his music. The casually curious may want to settle for Blue Note's The Best of Herbie Hancock, which highlights the best of these recordings, while completists should seek The Complete Blue Note Sixties Sessions, which includes everything from Hancock's solo albums as well as some notable sessions he cut as a sideman.



Fat Albert Rotunda was Hancock's first album after leaving Blue Note in 1969, but it's more of an aside than an indication of where he was headed. Consisting of material he wrote and recorded for Bill Cosby's Fat Albert cartoon series, its funky, R&B-oriented material is actually more of a piece with Hancock's Blow-Up score (best known for "Bring Down the Birds," which Deee-Lite sampled for "Groove Is in the Heart&quot than with his regular jazz output. "Li'l Brother," in fact, seems a continuation of an earlier attempt at instrumental R&B called "Don't Go There" (included on the Complete Blue Note set).



Mwandishi, Hancock's first proper album for Warner Bros., was a radical move away from the sound of his Blue Note recordings, recalling the rock-influenced sound of Davis' Bitches Brew sessions but augmenting it with the Gil Evans-ish horn voicings heard on The Prisoner. Mwandishi is dark and dreamy, with its rolling rhythms and swirling electronics, while the sonic tapestry of Crossings conveys an almost otherworldly sense of atmosphere, particularly on the haunting, synth-colored "Quasar." But Sextant is the standout, thanks to its richly detailed sound and intricate interplay.



Hancock changed direction again with Headhunters, dumping two horn players and devoting more energy to synths than to electric piano. But it was the pop credibility he earned through the success of "Chameleon" that truly altered the course of his career. The music on Headhunters isn't R&B per se, but Hancock was getting there, and his output became funkier and funkier. Thrust plays down the more abstract elements that rounded out Headhunters, emphasizing the music's pulse, while Man-Child added R&B guitarists to the mix, bringing depth to the groove without compromising the improvised content. (These are the albums emphasized in Columbia's The Best of Herbie Hancock.)



Yet despite his pop success (Headhunters, Thrust, and Man-Child all cracked the Top 40 of the Billboard album chart), Hancock hadn't given up on jazz. The import-only live album Flood shows how easily Hancock's mid-'70s band could move from straight jazz to groove-heavy funk without compromising its sound or identity. Secrets went for a similar balance in the studio, and even included an imaginative up-date of "Cantaloupe Island." V.S.O.P., a 1976 concert recording, presents three sides of Hancock -- his then-current funk band, the reunited Mwandishi group, and an acoustic quintet featuring his old Davis bandmates Wayne Shorter, Ron Carter, and Tony Williams (Hubbard did the honors on trumpet). Of the three, it was the acoustic group that thrilled jazz fans most, and so they were reconvened for an album of their own: V.S.O.P. -- The Quintet. Although it has much the same sound as the Davis quintet's classic recordings, it lacks the fire and daring of the Davis albums. (Far more persuasive is the import-only Herbie Hancock Trio, which finds Hancock, Carter, and Williams pushing limits with abandon.)



Neoconservatism has always sold well with jazz fans, however, and so Hancock regularly released Davis-schooled live albums with all-acoustic bands. Quartet features a young and brash Wynton Marsalis; A Tribute to Miles Davis uses shameless Davis-clone Wallace Roney. Fortunately, not all of Hancock's "traditional" recordings mine that vein or are as predictable. 1+1, an album of duets with Shorter, is quiet, touching, and wonderfully lyrical -- a staggering performance by both. The New Standard, meanwhile, inverts the pop formula by offering straight-ahead jazz treatments of such tunes as Peter Gabriel's "Mercy Street" and Nirvana's "All Apologies."



By that point in the '90s, it seemed as if Hancock had put his funk days behind him. Although his '70s electronic albums after Man-Child – Secrets; Feets, Don't Fail Me Now; Monster; Lite Me Up; and Magic Windows -- aspired to mainstream R&B, Hancock lacked both the aesthetic insight and commercial touch of Quincy Jones. In a word, the albums stank. Mercifully, hip-hop and high technology saved the day.



With Future Shock, Hancock uses drum machines, digital synths, and DJ Grandmixer D.ST to conjure the sound of the urban jungle, an approach that turned "Rockit" into a club hit (and earned Hancock airtime on MTV). Sound System adds a world-beat flavor to the mix, thanks to Hancock's use of Gambian griot Foday Musa Suso (with whom he later recorded the wonderfully exotic Village Life and a somewhat more predictable live album, Jazz Africa), while Perfect Machine recruits P-Funk bassist Bootsy Collins and Ohio Player LeRoy "Sugarfoot" Bonner. The ambitious Dis Is da Drum found Hancock once again flirting with R&B, but the music was too cerebral to successfully engage the booty. Maybe that's why Future 2 Future, despite its use of vocals and flirtation with drum and bass rhythms, chose to offload its overt "pop" content in separately sold remixes; overall, the album has more in common with Sextant than Headhunters.



In addition to his solo career, Hancock has also been doing soundtrack work since 1966, when he scored Michelangelo Antonioni's Blow-Up. Although his contributions can be heard in films ranging from Death Wish to House Party 2, he's probably best known for the elegiac Round Midnight, a score as jazz-soaked and moody as the film itself. (J.D. CONSIDINE)



From 2004's The New Rolling Stone Album Guide











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