Category:
Adults,
Classic,
Historical Fiction,
LiteratureLanguage:
EnglishKeywords:
Illegitimacy Victorian EnglandWritten by Wilkie Collins
Read by Nicholas Boulton
Format: MP3
Bitrate: 64 Kbps
Unabridged
Length: 13 hrs and 20 mins
Release date: 11-20-20
Publisher: Naxos AudioBooks
Rosamund Treverton has it all—an affluent lifestyle, a loving mother who dotes on her, and a seemingly bright future. But a deathbed confession from her mother makes it clear that Rosamund’s past hides a dark secret. This suspenseful family mystery will keep readers entranced until the very last page.
A masterful blend of Gothic drama and romance, Wilkie Collins’s mystery novel is an exploration of illegitimacy and inheritance. Set in Cornwall, the plot foreshadows The Woman in White with its themes of doubtful identity and deception, and involves a broad array of characters.
Like much of Collins’s work, The Dead Secret explores the consequences of a single, hidden act. The Cornish mansion Porthgenna harbors the secret of such an act, one that has ruined the life of the servant girl Sarah Leeson. This same secret lies hidden for fifteen years until the heiress to Porthgenna, Rosamund Treverton, returns and exposes it. Her detective work may reveal the truth, but her revelation of a long-forgotten crime could mean disaster for her and the entire estate. Wilkie Collins’s brilliant characters, suspenseful plots, and piercing look into Victorian-era society are on full display in The Dead Secret.
Wilkie Collins was the first great detective novelist. His dark and complex mysteries influenced the work of other writers, such as Anthony Trollope and Charles Dickens, with whom he developed a close personal friendship. Swinburne found his work worthy of serious criticism, and T. S. Eliot credits him even more than Poe with the invention of the modern detective novel and the popular thriller.
“Having previously tried my hand at short serial stories (collected and reprinted in After Dark, and The Queen of Hearts), I ventured on my first attempt, in this book, to produce a sustained work of fiction, intended for periodical publication during many successive weeks. The experiment proved successful both in this country and in America. Two of the characters which appear in these pages — “Rosamond,” and “Uncle Joseph” — had the good fortune to find friends everywhere who took a hearty liking to them. A more elaborately drawn personage in the story — “Sarah Leeson” — was, I think, less generally understood. The idea of tracing, in this character, the influence of a heavy responsibility on a naturally timid woman, whose mind was neither strong enough to bear it, nor bold enough to drop it altogether, was a favorite idea with me, at the time, and is so much a favorite still, that I privately give “Sarah Leeson” the place of honor in the little portrait-gallery which my story contains. Perhaps, in saying this, I am only acknowledging, in other words, that the parents of literary families share the well-known inconsistencies of parents in general, and are sometimes unreasonably fond of the child who has always given them the most trouble.” — Wilkie Collins, _January, 1861_