Iggy Pop - The Idiot - 1977, FLAC (tracks), lossless torrent

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Iggy Pop - The Idiot - 1977

Жанр: rock
Год выпуска диска: 1977
Производитель диска: USA
Аудио кодек: FLAC
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 38:45
Источник: What.cd
Треклист:
01 - Sister Midnight
02 - Nightclubbing
03 - Funtime
04 - Baby
05 - China Girl
06 - Dum Dum Boys
07 - Tiny Girls
08 - Mass Production
[spoiler="Тех. данные"]
TT: Technics SP 15 with SME 3009 tonearm & customized plinth
Cartridge: Ortofon Concorde OM 30 MM
Phono amp: Pro-Ject Tube Box II with 2X JAN 12AX 7WA (General Electric)
Cables: Wire World Solstice 5.2
Computer: Sony Vaio VPCJ1
ADC: Tascam US-144 external USB 2.0 Audiointerface
Software: WaveLab 5.01, ClickRepair, Redbook Resampled And Dithered with iZotope RX

KEL BAZAR RIP
Originally upped by thehadi
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[spoiler="АЧХ и Спектры"]

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[spoiler="Дополнительная информация"]
Produced by David Bowie, 1977
Review by AMG's Mark Deming:
In 1976, the Stooges had been gone for two years, and Iggy Pop had developed a notorious reputation as one of
rock & roll's most spectacular waste cases. After a self-imposed stay in a mental hospital, a significantly more
functional Iggy was desperate to prove he could hold down a career in music, and he was given another chance
by his longtime ally, David Bowie. Bowie co-wrote a batch of new songs with Iggy, put together a band, and
produced The Idiot, which took Iggy in a new direction decidedly different from the guitar-fueled proto-punk of
the Stooges. Musically, The Idiot is of a piece with the impressionistic music of Bowie's "Berlin Period" (such as
Heroes and Low), with it's fragmented guitar figures, ominous bass lines, and discordant, high-relief keyboard parts.
Iggy's new music was cerebral and inward-looking, where his early work had been a glorious call to the id, and Iggy
was in more subdued form than with the Stooges, with his voice sinking into a world-weary baritone that was a
decided contrast to the harsh, defiant cry heard on "Search and Destroy." Iggy was exploring new territory as a
lyricist, and his songs on The Idiot are self-referential and poetic in a way that his work had rarely been in the past; for the most part the results are impressive, especially "Dum Dum Boys," a paean to the glory days of his former band, and "Nightclubbing," a call to the joys of decadence. The Idiot introduced the world to a very different Iggy Pop, and if the results surprised anyone expecting a replay of the assault of Raw Power, it also made it clear that Iggy was older, wiser, and still had plenty to say; it's a flawed but powerful and emotionally absorbing work.
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