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Cliff Richard / 21 TodayЖанр: Rock'n'Roll
Страна-производитель диска: EU
Год издания диска: 1961
Издатель (лейбл): EMI
Номер по каталогу: 7243 4 95442 2 2
Страна: England
Аудио кодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 39:31
Источник (релизер): AUDELAS
Наличие сканов в содержимом раздачи: да
Треклист:
01. Happy Birthday To You
02. Forty Days
03. Catch Me
04. How Wonderful To Know
05. Tough Enough
06. 50 Years For Every Kiss
07. The Night Is So Lonely
08. Poor Boy
09. Y'arriva
10. Outsider
11. Tea For Two
12. To Prove My Love For You
13. Without You
14. A Mighty Lonely Man
15. My Blue Heaven
16. Shame On You[spoiler="Лог создания рипа"]
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 13. November 2010, 15:28
Cliff Richard / 21 Today
Used drive : _NEC DVD_RW ND-3550A Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 1:35.20 | 0 | 7144
2 | 1:35.20 | 2:46.60 | 7145 | 19654
3 | 4:22.05 | 2:28.67 | 19655 | 30821
4 | 6:50.72 | 2:39.25 | 30822 | 42771
5 | 9:30.22 | 2:16.20 | 42772 | 52991
6 | 11:46.42 | 2:31.28 | 52992 | 64344
7 | 14:17.70 | 2:44.37 | 64345 | 76681
8 | 17:02.32 | 2:59.20 | 76682 | 90126
9 | 20:01.52 | 3:36.55 | 90127 | 106381
10 | 23:38.32 | 2:43.40 | 106382 | 118646
11 | 26:21.72 | 2:17.10 | 118647 | 128931
12 | 28:39.07 | 1:52.18 | 128932 | 137349
13 | 30:31.25 | 2:06.65 | 137350 | 146864
14 | 32:38.15 | 2:15.47 | 146865 | 157036
15 | 34:53.62 | 2:28.40 | 157037 | 168176
16 | 37:22.27 | 2:08.48 | 168177 | 177824
Range status and errors
Selected range
Filename D:\2\Cliff Richard - 21 Today (1961)\Cliff Richard - 21 Today.wav
Peak level 99.1 %
Range quality 100.0 %
Test CRC 1335AD99
Copy CRC 1335AD99
Copy OK
No errors occurred
End of status report
[/spoiler]
[spoiler="Об альбоме (сборнике)"]
Not many albums are titled after their release date, but October 14, 1961, was a significant date whichever way you look at it, as Cliff Richard finally advanced into adulthood. He could drink alcohol. He could vote. He could drive a car. He could even have sex. And the fact that he was already the single most popular and successful solo pop star Britain had (or would) ever produced did not diminish the significance of the event. His fifth album even opens with a distinctly stylized Shadows version of "Happy Birthday To You," over which Cliff, the band and sundry friends revel in his new found freedom... "we should get the young ladies a drink," says someone and, perhaps, we should be grateful that the track fades out quickly after.
In fact, it would not necessarily be a bad thing if the entire album followed suit. While by no means the nadir of Cliff's recording career, 21 Today is very much a portrait of the artist on auto-pilot, a succession of pleasant mid-tempo ballads, with Shadows-lite backing, soaring strings a-go-go and - the curse of British MOR later in the decade - the utterly wholesome oohs, aahs and echoes of an army of clean-living backing youths.
A couple of tracks buck the trend - "Without You" and "Tough Enough" are gritty Shadows-led stompers, while Hank Marvin and Bruce Welch's "Y'Arriva" at least packs an intriguingly mock-Spanish backing, to match vocal stylings lifted straight from an old Speedy Gonzales cartoon. There is also a bizarre version of "Tea For Two," Cliff giving it his best well-mannered showband vocal, while the Shadows noodle away in best smokey jazzclub style.
Overall, however, 21 Today is the sound of a singer growing old before his time and hindsight insists that it is no coincidence that, within a year of its release, the arrival of the Beatles had already consigned Cliff to Boring Old Fartdom. How, the sniggering Fabs fans whispered each other, how would he ever escape from those clutches? And, more importantly, would he even want to?
[/spoiler]