McCoy Tyner - Counterpoints: Live in Tokyo - 1978, WavPack (image+.cue) lossless torrent

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McCoy Tyner - Counterpoints: Live in Tokyo

Жанр: Hard Bop, Post-Bop
Год издания диска: 2004
Издатель (лейбл): Milestone
Номер по каталогу: MCD 9339-2
Аудио кодек: WavPack (*.wv)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 48:37
Источник (релизер): ffsf (hqshare)
Наличие сканов в содержимом раздачи: нет

Треклист:
01. The Greeting (Tyner)
02. Aisha (Tyner)
03. Sama Layuca (Tyner)
04. Prelude to a Kiss (Ellington-Gordon-Mills)
05. Iki Masho (Let's Go) (Tyner)

Состав:
McCoy Tyner - piano
Ron Carter - bass
Tony Williams - drums
Recorded live at Denon Colosseum, Tokyo, Japan on July 28, 1978.
[spoiler="Лог создания рипа"]
Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 6. March 2011, 12:57

McCoy Tyner / Counterpoints

Used drive : HL-DT-STDVDRAM GT20N Adapter: 0 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface

Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 11:30.62 | 0 | 51811
2 | 11:30.62 | 7:08.38 | 51812 | 83949
3 | 18:39.25 | 6:38.12 | 83950 | 113811
4 | 25:17.37 | 9:20.63 | 113812 | 155874
5 | 34:38.25 | 13:58.52 | 155875 | 218776

Range status and errors

Selected range

Filename D:\EAC\McCoy Tyner - Counterpoints\McCoy Tyner - Counterpoints.wav

Peak level 100.0 %
Extraction speed 0.9 X
Range quality 100.0 %
Test CRC 545AD1CA
Copy CRC 545AD1CA
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 2) [756996BC]
Track 2 accurately ripped (confidence 2) [D9EF363D]
Track 3 accurately ripped (confidence 2) [9E663908]
Track 4 accurately ripped (confidence 2) [845AEE28]
Track 5 accurately ripped (confidence 2) [A4C324A1]

All tracks accurately ripped

End of status report
[/spoiler]
[spoiler="Содержание индексной карты (.CUE)"]
REM GENRE Jazz
REM DATE 1978
REM DISCID 320B6505
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "McCoy Tyner"
TITLE "Counterpoints: Live in Tokyo"
FILE "McCoy Tyner - Counterpoints- Live in Tokyo.wav" WAVE
TRACK 01 AUDIO
TITLE "The Greeting"
PERFORMER "McCoy Tyner"
ISRC USFI80400156
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Aisha"
PERFORMER "McCoy Tyner"
ISRC USFI80400157
INDEX 01 11:30:62
TRACK 03 AUDIO
TITLE "Same Layuca"
PERFORMER "McCoy Tyner"
ISRC USFI80400158
INDEX 01 18:39:25
TRACK 04 AUDIO
TITLE "Prelude to a Kiss"
PERFORMER "McCoy Tyner"
ISRC USFI80400159
INDEX 01 25:17:37
TRACK 05 AUDIO
TITLE "Iki Masho (Let's Go)"
PERFORMER "McCoy Tyner"
ISRC USFI80400160
INDEX 01 34:38:25
[/spoiler]
[spoiler="Review by Ken Dryden"]
Although these live tracks were recorded on the same evening in 1978 as McCoy Tyner's earlier Milestone album Passion Dance, they inexplicably remained unreleased until 2004. With Tyner joined by a powerful rhythm section consisting of bassist Ron Carter and drummer Tony Williams, the fireworks begin with an explosive interpretation of the pianist's "The Greeting." Next are two solo piano features, including a return to Tyner's exotic "Aisha" and "Sama Layuca," the latter building upon a hypnotic vamp from Tyner's left hand as thunderous chords with occasional tremolos are played by his right hand. Tyner begins Duke Ellington's "Prelude to a Kiss" with a well-disguised introduction before entering familiar territory just prior to Carter's entrance, producing an absolutely stunning interpretation. The disc wraps with the return of Williams for Tyner's "Iki Mashio (Let's Go)," another over the top work comparable to the pianist's "Passion Dance," with an interlude featuring a quiet but intricate solo by Carter. Even with Tyner's fierce attack at the keyboard and his heavy use of the sustain pedal at times, the sound is remarkably clear.
[/spoiler]