Al Jarreau - Breakin' Away - 1981, FLAC (tracks) torrent

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Al Jarreau - Breakin' Away
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Жанр: Jazz / R&B
Год выпуска: 1981
Лейбл: Warner Bros (XBS-3576)
Страна-производитель: Canada
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24-Bit / 192-kHz
Формат раздачи: 24-Bit / 192-kHz
Продолжительность: 40:49
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Треклист:
Side A:

Closer to Your Love
My Old Friend
We're in This Love Together
Easy
Our Love

Side B:

Breakin' Away
Roof Garden
Blue Rondo A La Turk
Teach Me Tonight

Источник оцифровки: Thanks - nettz
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Turntable: Roksan Radius III
Tonearm: Audioquest PT-9
Cartridge: Ortofon X5-MC (Moving Coil)
Cable: Van den Hul phono cable
Pre-amplifier: Counterpoint SA 5.1 (vacuum tube Sovtek 6922)
Interconnect: balanced, Belden 1813A cable with Neutrik XLR connectors
Analog to Digital Converter: EMU 1212M (configured for balanced input +4dBu, 0 dB Gain)
Capture software: Goldwave 5.22
Post processing: none. ( No click/pop filter ever applied. No digital volume adjustment)
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[spoiler="Доп.информация"]
Al Jarreau, a seven-time Grammy Award winner, he is the only vocalist in history to win in three separate categories: Jazz, Pop, and R&B.
This album, "Breakin' Away", reached number 1 in US Billboard chart for Jazz and R&B at the same time.

Released in 1981, Breakin' Away is not only a great follow-up to 'This Time', it all but perfected the effort. With an amazing batch of songs, producer/artist chemistry, and top-level players, Breakin' Away became the standard bearer of the L.A. pop and R&B sound. "Closer to Your Love" comes off as a tougher, more confident version of the songs from the previous album. However, in short order, Breakin' Away assumes its own identity with brilliant results. Everything works so well here that the hit, the pleasing "We're in This Love Together," comes off as the weak link. "Easy," with its gorgeous and subtle Latin flourishes, has Jarreau's purposeful delivery coming off oddly poignant in its joy and beauty. The bittersweet "My Old Friend" has him giving a charming and understated reading with gorgeous synth signatures that speak volumes. Most of Breakin' Away has Jarreau in great spirits and giving one great performance after another, like the powerful and melody-rich title song. Like his best albums, this gives Jarreau plenty of room to exercise his chops. He struts through the funky and elegant "Roof Garden," and on the impressive "(Round, Round, Round) Blue Rondo a la Turk" he offers great scats and whimsical lyrics. For the final track, Jarreau brings new life to "Teach Me Tonight" and it has a sweeping, dreamy arrangement. Produced by Jay Graydon, Breakin' Away is a great album and informed a lot of Jarreau's subsequent efforts.

The only vocalist in history to net Grammy Awards in three different categories (jazz, pop, and R&B, respectively), Al Jarreau was born in Milwaukee, WI, on March 12, 1940. The son of a vicar, he earned his first performing experience singing in the church choir. After receiving his master's degree in psychology, Jarreau pursued a career as a social worker, but eventually he decided to relocate to Los Angeles and try his hand in show business, playing small clubs throughout the West Coast.
He recorded an LP in the mid-'60s, but largely remained an unknown, not reentering the studio for another decade. Upon signing to Reprise, Jarreau resurfaced in 1975 with We Got By, earning acclaim for his sophisticated brand of vocalese and winning positive comparison to the likes of Billy Eckstine and Johnny Mathis. After 1976's Glow, Jarreau issued the following year's Look to the Rainbow, a two-disc live set that reached the Top 50 on the U.S. album charts. With 1981's Breakin' Away, he entered the Top Ten, scoring a pair of hits with "We're in This Love Together" and the title track. After recording 1986's L Is for Lover with producer Nile Rodgers, Jarreau scored a hit with the theme to the popular television program Moonlighting, but his mainstream pop success was on the wane, and subsequent efforts like 1992's Heaven and Earth and 1994's Tenderness found greater success with adult contemporary audiences.
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