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Peter Wolf - Midnight Souvenirs - 2010, FLAC (tracks+.cue), lossless torrent


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Download Peter Wolf - Midnight Souvenirs - 2010, FLAC (tracks+.cue), lossless torrent




Torrent Description
Рок-музыка » Зарубежный Rock » Classic Rock & Hard Rock (lossless)

Peter Wolf - Midnight Souvenirs

Жанр: Singer/ Songwriter / American Trad Rock
Год выпуска диска: Apr 6, 2010
Производитель диска: Verve #3896
Аудио кодек: FLAC, tracks+.cue, lossless
Продолжительность: 49'32''

1. Tragedy (Petraglia, Wolf) [4:31]
2. I Don't Wanna Know [2:53]
3. Watch Her Move (Rhodes, Wolf) [3:58]
4. There's Still Time (Jennings, Thiele, Wolf) [5:09]
5. Lying Low (Jennings, Wolf) [3:10]
6. The The Green Fields of Summer (Jennings, Wolf) [2:56]
7. Thick as Thieves (Wolf) [2:43]
8. Always Asking For You (Jennings, Wolf) [2:57]
9. Then It Leaves Us All Behind (Jennings, Wolf) [3:32]
10. Overnight Lows (Jennings, Petraglia, Prophet ... ) [5:06]
11. Everything I Do Gonna Be Funky (Toussaint) [2:12]
12. Don't Try To Change Her (Jennings, Wolf) [3:31]
13. The The Night Comes Down (For Willy Deville) (Jennings, Wolf) [3:56]
14. It's Too Late for Me (Jennings, Wolf) [2:47]

Chris Cardona, Antoine Silverman, Entcho Todorov, Jonathan Dinklage - violin
Anik Oulianine, Anja Wood - cello...etc.
[spoiler="Info"]
Take the "Midnight" in Midnight Souvenirs, the seventh solo album by Peter Wolf, to heart: this is music made for the middle of the night, whether it's for reflection or relaxation. Wolf remains rooted in his deep love of soul and R&B, but the very choice of Shelby Lynne, Neko Case, and Merle Haggard as duet partners here is a clear signal of how he's stretching out somewhat, digging into country in a way he never has before, but it's too easy to make too big a deal out of these elements. These are flavorings, just like how the cool vamps of "Watch Her Move" distinguish it from the smooth Philly soul vibe of "Overnight Lows" or the lived-in, worn-in grooves of a cover of Allen Toussaint's "Everything I Do Gonna Be Funky." All of this, including the stately sway of the Case duet "The Green Fields of Summer" or the minor-key stomp of "Thick as Thieves" or the train-track roll of "I'm Always Asking for You," is recognizably the work of Wolf, picking up the thread that runs from J. Geils to his last solo album, 2002's Sleepless, of which this feels like a rich expansion. Wolf's touch here is easy and assured, so it feels familiar upon the first spin but better upon repeats, when the songs truly take hold and the conversational nature of the performances settle in, revealing the warmth and skill beneath the surface.
~ Stephen Thomas Erlewine (cduniverse)

[hr]
Certain records create a space where memory -- not nostalgia -- makes us long for something that’s been missing. Eight years after the stellar Sleepless, Peter Wolf offers us that with Midnight Souvenirs. Few artists can make records where tautly crafted songs with solid lyrics, balanced production, and inspired performances are the only priorities. The album’s musical traces go all the way back to his past as a DJ, as a member of the Hallucinations and the J. Geils Band to his solo career and the present moment in terrific voice. Wolf and collaborators (most notably writing partner Will Jennings and co-producer Kenny Brown) deliver adult rock & roll songs. The tunes are direct, poignant, and confessional, buoyed by Wolf’s trademark sense of humor. It engages roots rock, R&B, Americana, and yes, blues, played by an all-star band that includes guitarists Larry Campbell and Duke Levine, and the best female backing chorus in the business: Ada Dyer and Catherine Russell.

There isn’t a weak cut here, but there are highlights. There are three excellent duets -- none were phoned in. The first is the soul-drenched country of “Tragedy” with Shelby Lynne, (co-written by Angelo Petraglia). “Tragedy” details the failings of a man in love and his desperate unwillingness to accept that this may be the end. Lynne’s a perfect foil, underscoring Wolf’s pleading with pure Southern soul singing; she's empathic but defiant. It’s a sad song but horns, Stax-style guitar, B-3, and a rhythm section create an infectious groove. “Green Fields of Summer” with Neko Case is inspired by a traditional melody that could have been sung by Fairport Convention. The set closer with Merle Haggard (in amazing voice here), melds the pair in a country waltz that sums up the regret that stands monolithically in the hearts of those who've failed.

Wolf rocks here too: “I Don’t Wanna Know,” with its big ringing guitars and wailing harmonica, is a betrayal song to dance to. “Watch Her Move” is a snaky, nocturnal old-school R&B tune that shakes in modern parlance. “There’s Still Time” is the album’s hinge piece. Slowly beginning with acoustic and electric guitars, it gradually soars, adding a string section and a gospel-ized backing chorus. Wolf declares his self-aware protagonist’s isolated way of living, the cost he’s willingly paid for it, and his decision to abandon himself fearlessly to whatever he encounters because that’s what actual living requires. ”Thick as Thieves” is a scorching electric blues number that wouldn’t sound out of place on a North Mississippi Allstars record. “Overnight Lows” is a humorous, soul morality tale where the singer wears his heart -- and faults --on his sleeve. “The Night Comes Down (For Willy DeVille)" is a big rock anthem delivered in an intimate way. Midnight Souvenirs is a terrific dark-night-of-the-soul album, but it doesn’t mope. It’s made for driving, dancing alone in the living room, or merely pondering your next move, while snapping your fingers, of course.
by Thom Jurek (Allmusic)

[hr]
An ugly, ageless motherfucker given to pork pie hats and boozy harmonica solos, Peter Wolf is about as rock ‘n’ roll as rock ‘n’ roll gets — the kind of guy rock fans want to believe in. For those fans, Wolf’s fleeting fame as an MTV-anointed solo artist during his first years in the post-J. Geils Band wilderness were a minor triumph; sure, Wolf was scoring hits with knuckleheaded synth blooze like “Lights Out,” but at least he was in there — a soul vocalist of uncommon tenderness and versatility who hadn’t let the system screw him into irrelevancy.

It was nice while it lasted. 1990’s Up to No Good was a strained, pallid attempt to recapture the party vibe of classic Geils records, and in the years since that album tanked, Wolf has doodled in the margins, making pit stops at various labels (Reprise, Artemis, Verve) to release records largely unheard by anyone not in Jann Wenner’s employ. Latter-day Wolf isn’t bad, but for some time now, he’s lacked the fire that made him so irresistible; he’s really only ever operated at two speeds as an artist, but early in his career, the transition from jack-jawed shouter to tender balladeer offered some separation. These days, the midtempo AC strummers and bluesy ballads that make up his work are more like the difference between first and second gear.

Wolf’s latest, Midnight Souvenirs, doesn’t really change the formula, but it’s still probably his best solo album. The chip on Wolf’s shoulder that made his earlier records so much fun has been whittled down with age, but he’s assembled a solid batch of songs here, and it’s certainly his best-sounding release. It also helps that Wolf lined up a pretty stellar batch of duet partners, from Shelby Lynne (who appears on the leadoff track and first single, “Tragedy”) to Merle Haggard (who arrives for the closing number, “It’s Too Late for Me”), and especially Neko Case, who comes on like a young Bonnie Raitt for the enchanting “The Green Fields of Summer.” Since 1996’s Long Line, Wolf has been trying to put some grown-up distance between himself and his long-ago classics. As often as not, it hasn’t really worked, but with Souvenirs, he makes a start-to-finish compelling case for himself, stirring the pot for simmering burners like “Thick As Thieves” while serving up addictive, radio-ready numbers like “Tragedy.”
Does the album also include a rather awkward jive-talkin’ speak/singing track? Yes. Did Wolf need to cover “Everything I Do (Gonna Be Funky)”? Definitely not. But if his ’80s hits were a minor triumph for rock ‘n’ roll fans, then the fact that Midnight Souvenirs is being released on a major label in 2010 is something like a miracle. It won’t replace your Geils live records, in other words, but this is a fine, well-seasoned stack of performances from an honest-to-goodness soul survivor. Pour yourself a glass of your favorite adult beverage, turn this on, and repeat as necessary.
[/spoiler]
[spoiler="XLD-log"]
X Lossless Decoder version 20100409 (117.2)

XLD extraction logfile from 2010-04-09 22:23:24 -0700

Peter Wolf / Midnight Souvenirs

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[/spoiler]
[spoiler=".cue"]
TITLE "Midnight Souvenirs"
PERFORMER "Peter Wolf"
CATALOG 0602527299532
REM GENRE "Rock"
REM DATE 2010
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[/spoiler]
[spoiler="auCDtect Task Manager"]
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Size: 23019733 Hash: E57CA33494A88DD4B7051E6C1918F167 Accuracy: -m0
Conclusion: CDDA 99%
Signature: 83772E53072195332B4A666FA5B6F8CA5FB08490
FILE: 13 - The Night Comes Down (For Willy DeVille).flac
Size: 26462441 Hash: 90FECA965F4A63ADCDD4E8BB43E914D2 Accuracy: -m0
Conclusion: CDDA 100%
Signature: F3DBC412C012B9FE3BAA84659968E5CE751DB0BB
FILE: 14 - It's Too Late For Me.flac
Size: 14274023 Hash: 74480B458B9A46E18C81B6B12CAE8415 Accuracy: -m0
Conclusion: CDDA 100%
Signature: 4AAC1DF7A2F7906F5A3F798F6D289B7BA7FD07C2
[/spoiler]

Download Peter Wolf - Midnight Souvenirs - 2010, FLAC (tracks+.cue), lossless torrent


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