Darren Copeland - Rendu Visible - 1998, FLAC (tracks+.cue) lossless torrent

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Darren Copeland / Rendu Visible


Жанр: Musique Concrete
Страна-производитель диска: Canada
Год издания диска: 1998
Издатель (лейбл): Empreintes DIGITALes
Номер по каталогу: IMED 9841
Аудио кодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 40:27
Источник (релизер): what.cd (suspar)
Наличие сканов в содержимом раздачи: нет

Треклист:
01 Rendered Visible 5:43
02 Reaching For Tomorrow 9:50 0

Night Camera (24:41)
03 Maritime Vision 8:10
04 Prairie Dream 8:30
05 Vanishing At Sea 8:00
[spoiler="Лог создания рипа"]
X Lossless Decoder version 20100911 (122.0)

XLD extraction logfile from 2010-09-15 21:17:15 -0400

Darren Copeland / Rendu visible

Used drive : MATSHITA DVD-R UJ-85J (revision FM0S)

Use cdparanoia mode : YES (CDParanoia III 10.2 engine)
Disable audio cache : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction : 102
Max retry count : 100
Gap status : Analyzed, Appended

TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 05:45:73 | 0 | 25947
2 | 05:45:73 | 09:59:54 | 25948 | 70926
3 | 15:45:52 | 08:10:39 | 70927 | 107715
4 | 23:56:16 | 08:30:00 | 107716 | 145965
5 | 32:26:16 | 08:00:36 | 145966 | 182001

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Track 01
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Track 02
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Track 03
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Track 04
Filename : /Users/scottems/Music/temp/Darren Copeland - Rendu visible (1998) [FLAC]/04 Night Cameraпјљ Prairie Dream.flac

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Track 05
Filename : /Users/scottems/Music/temp/Darren Copeland - Rendu visible (1998) [FLAC]/05 Night Cameraпјљ Vanishing at Sea.flac

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No errors occurred

End of status report
[/spoiler]
[spoiler="Содержание индексной карты (.CUE)"]
TITLE "Rendu visible"
PERFORMER "Darren Copeland"
CATALOG 0771028984121
REM GENRE "electroacoustic"
REM DATE 1998
REM DISCID 4A097A05
FILE "01 Rendered Visible.wav" WAVE
TRACK 01 AUDIO
TITLE "Rendered Visible"
ISRC CAD509813280
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Reaching for Tomorrow"
ISRC CAD509813300
INDEX 00 05:42:73
FILE "02 Reaching for Tomorrow.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "Night Camera: Maritime Vision"
ISRC CAD509813300
INDEX 00 09:49:54
FILE "03 Night Camera- Maritime Vision.wav" WAVE
INDEX 01 00:00:00
FILE "04 Night Camera- Prairie Dream.wav" WAVE
TRACK 04 AUDIO
TITLE "Night Camera: Prairie Dream"
ISRC CAD509813310
INDEX 01 00:00:00
FILE "05 Night Camera- Vanishing at Sea.wav" WAVE
TRACK 05 AUDIO
TITLE "Night Camera: Vanishing at Sea"
ISRC CAD509813320
INDEX 01 00:00:00
[/spoiler]
[spoiler="Об альбоме (сборнике)"]
from electrocd.com:

The visual analogies used not only in the titles of the works on this disc, but in works by many acousmatic composers in recent years, point to an ironic fact of life. This is that the people using these analogies are people who can both see and hear. In fact, it is not hard to declare that almost every acousmatic composer — perhaps almost the entire listening audience for acousmatic art — belongs to the sighted world. Acousmaticians belong to the sighted world, because it is the eye that, for the most part, gets them to and from their studio sessions, and it is the eye that is used to substantiate the world around them.

It is difficult to find a work in my repertoire from the nineties which does not make reference either in the title or the program notes to some type of visual stimulation. In many cases, the references speak of sound restoring vision to the imagination of the listener. For example, the title of this disc is Rendu visible (Rendered Visible). Which could be interpreted to mean that a composition using real world sounds is able to re-awaken latent visual imagery in the mind of the listener, as if this disc was really an empty canvas or a fresh stock of film. This is best illustrated in Night Camera, where the three recorded soundscapes furnish the listening imagination with a magical lens for viewing invisible worlds.

But isn’t it interesting that for some people sound lifted from real-life experience has a more direct impact on their visual rather than their aural imagination. Real-world sounds can invite listeners into imaginary worlds composed from fragments of their past experiences. If a listener is sighted, then any illusions would likely be visual. But what if a listener is congenitally blind? What worlds in that person’s aural imagination would be linked to the worlds represented on this disc? What other sensations — outside of the aural — would he or she feel? Visual analogies are often made by listeners in response to my compositions, but not every listener will in the end possess an imagination that draws on sight. Therefore, I accept my dependence on these visual analogies with some hesitancy, since their presence inevitably exposes a strange contradiction. The contradiction is that a visually-oriented imagination is engaged in all facets of an art form, which, in both production and presentation, is intended to be an auditory endeavour.

There is one other cause for hesitation when it comes to framing my works with visual analogies, or perhaps with any other analogy from life experience. This concern is rooted in the fact that it is virtually impossible for me, at the present time, to stipulate what visual image or associated meaning is being evoked for any person at any particular moment on this disc. Not until credible studies are undertaken about the imagination’s ability to visualize from sonic sensory input alone can I comfortably approach composition outside of the realm of musical abstraction. Without such research, there will be no practice of phonography, or no sound art free of music’s paradigmatic and parental authority. Such research will endow the art of phonography with a dictionary from which a sonic language based on the imagistic properties of real world sound can only ever evolve. Therefore, until such a time, I remain a musician and not a phonographer, despite how unpleasant the shoes may look and feel.
[/spoiler]
[spoiler="Состав"]
Artwork By – Mark Mushet
Composed By – Darren Copeland
[/spoiler]