Miles Davis - E.S.P. - 1965, FLAC (image+.cue) torrent

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Miles Davis - E.S.P.

Жанр: Jazz, Post-bop, Modal Jazz
Год выпуска: 1965
Лейбл: Columbia, CS 9150
Страна-производитель: Canada
Аудио кодек: FLAC
Тип рипа: image+.cue
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 48:39
Треклист:

A1 E.S.P. (Wayne Shorter) [5:34]
A2 Eighty-One (Ron Carter, Miles Davis) [6:18]
A3 Little One (Herbie Hancock) [7:25]
A4 R.J. (Ron Carter) [3:59]
B1 Agitation (Miles Davis) [7:49]
B2 Iris (Wayne Shorter) [8:38]
B3 Mood (Ron Carter, Miles Davis) [8:55]

Источник оцифровки: выполнена автором раздачи
Код класса состояния винила: VG+
Устройство воспроизведения: Micro Seiki DD7
Головка звукоснимателя: Denon-103 (MC)
Повышающий трансформатор: Denon AU-320
Предварительный усилитель: Sander'Z tube / схема А.Торреса
АЦП: Tascam US-122mkII
Программа-оцифровщик: Audacity 2.0.3
Обработка: только ручное удаление крупных щелчков
[spoiler="Credits"]
Miles Davis - Trumpet
Wayne Shorter - Tenor Saxophone
Herbie Hancock - Piano
Ron Carter - Double Bass
Tony Williams - Drums

Tracks A1, A4 recorded on January 20, 1965;
A2, A3 on January 21, 1965;
tracks B1, B2 and B3 recorded on January 22, 1965.
Record producer - Irving Townsend
Cover Photography - Bob Cato
The back cover contains a "abstract and impressionistic " poem by Ralph J. Gleason.

Recorded in January 1965, E.S.P. is the first album by what is often referred to as Miles Davis's second great quintet. The quintet comprising Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams would be the most long-lived of all Davis's groups, and this was their first studio recording together.

Unlike the majority of previous Davis albums, E.S.P. consisted entirely of new compositions written by members of the group. Despite the profusion of new material, only one tune ("Agitation") is known to have appeared in the group's live performances. Two versions of this tune appear on the Plugged Nickel recordings from December 1965; it was played live as late as the fall of 1969.

"Little One" might be best known for being revisited on Hancock's landmark album, Maiden Voyage, recorded a few weeks later. This version is somewhat more embryonic; Carter's bass is halting, and Davis and Shorter state the theme with winding, interlocking contrapuntal lines that evoke Davis and Coltrane's version of "Round Midnight". Hancock's solo on Carter's composition, "Eighty-One", also presages his work on that LP - particularly its title track. This is reflected in the liner notes of the 1999 reissue.

Shortly thereafter, Shorter's compositions would begin to dominate the Quintet's recordings, though here he contributes only two of the seven songs. The title track is reminiscent of Jackie McLean's "Little Melonae", which Davis had recorded with John Coltrane in 1956. "Iris", by contrast, is another Coltrane-like ballad, not too dissimilar to "Infant Eyes" on Shorter's Speak No Evil album.

At over forty-eight minutes, E.S.P. is one of the longest jazz albums of its period. Subsequent Davis recordings would be even longer.
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[spoiler="LP labels"]

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[spoiler="Спектр"]

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[spoiler="АЧХ"]

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[spoiler="Уровень записи"]

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