Unoma - The Beginning of the End - 2007, FLAC (tracks), lossless torrent

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Unoma / The Beginning of the End
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Жанр: Progressive Rock /Progressive Metal / Jazz Rock
Год издания диска: 2007
Издатель (лейбл): WEB
Страна: Spain
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 47:14
Источник (релизер): unoma.net
Наличие сканов в содержимом раздачи: да
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Треклист:
1. Out of Control - 05:45
2. When laughter becomes my hearse - 03:33
3. An Expensive Illusion - 04:03
4. Eight - 01:04
5. Noises and Voices - 04:59
6. Leave-taking - 05:20
7. Dragón sin piel - 04:20
8. Corrupt song - 01:57
9. The Incredible lightness of Gravestones (I) - 02:38
10. The Incredible lightness of Gravestones (II) - 03:19
11. The Incredible lightness of Gravestones (III) - 10:09
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Concierto de Unoma
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[spoiler="Лог проверки качества"]
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[/spoiler]
Доп. информация: progarchives.com .
Второй альбом испанской группы Unoma совсем не похож на предыдущий ( Unoma - 2003 - Croma ), можно подумать, что это вообще разные группы. Звучание гораздо более жесткое, тяжелое, композиции менее мелодичные. Предыдущий альбом в основном был инструментальным, здесь преобладают песенные композиции.
Первый альбом Unoma - 2003 - Croma (lossless) можно взять здесь, третий альбом Unoma - 2009 - Naked (lossless) здесь.
[spoiler="Об исполнителе (группе)"]
Unoma biography
Fidel Vázquez Sanglas was born near Barcelona, Spain. At the age of 10 he started to learn guitar and got a Almira 12-string guitar, this was a difficult instrument to play. When he was 15 he changed a herited bandoneon for an imitation Stratocaster electric guitar and bought a small amplifier. He visited a musical school and took lessons from professor Sebastia Garriga. Fidel played in several acoustic formations. The CD "Croma" was his first project with UNOMA. The five songs on the album "Croma" (from 2003) were created between 1997 and 2001 and his sound was then influenced by KING CRIMSON, DREAM THEATER, RUSH, PINK FLOYD, GENESIS en YES and the guitarists JOHN PETRUCCI, STEVE VAI, ALEX LIFESON, ALLAN HOLDSWORTH, JEFF BECK, JIMI HENDRIX, ROBERT FRIPP and ADRIAN BELEW.
After three years of almost exclusive dedication to the symphonic rock band NEGUA (www.negua.com), the death of his father motivated Fidel to retake the project with UNOMA. This time, he decided to focus his next work on more energetic and contemporary sounds influenced by current bands such as TOOL, OPETH, THE MARS VOLTA or PAIN OF SALVATION, but never forgetting the classic progressive and rock touch (KING CRIMSON, PINK FLOYD, GENESIS, LED ZEPPELIN, etc.). The result is "The beginning of the end", an album composed by 9 songs of a high emotional content and a big maturity, visceral, direct and forceful, a mixture of lack of control, nostalgia, melancholy, passion, anxiety, farewells, drugs and losses, mental perturbation ... and in the end, a scream, a demand of emotive independence, of hope for a quiet future free of all this absurdity.
Fidel Vázquez has surrounded himself with the talent of great musicians and producers of the Spanish and international scene to carry out this project. Aurora Ferrer (composition, arrangements, vocals), Juanjo Verdú (guitar production, now also official guitarist of UNOMA), Pito Costa (voices production), Ángel Lloberas (drums), David Casamitjana (drums technician), Josema Uròs (vocals in Corrupt song), Emilio Alquézar (voices technician), Jordi Solé (guitars technician at Musiclan), Ricard Vives (bass) or Chey Sun Hill (vocals in An expensive illusion) among others collaborate in it.
"The beginning of the end" has been recorded at Musiclan (Figueres) by Jordi Solé and at RadioStar Studios (Weed, California, USA) by Sylvia Massy and Kale Colmes (REM, RHCHP, TOOL, SKUNK ANANSIE.), who also mixed and produced the album with Fidel Vázquez. The recording has been mastered at MasterPlant Studios (Sausalito, EEUU) by John Cuniberti (JOE SATRIANI, SANTANA, METALLICA, DEFTONES.).
/progarchives.com/
[/spoiler]
[spoiler="Об альбоме (сборнике)"]
released 01 April 2007
All songs by Fidel Vázquez except When laughter becomes my hearse and Leave-taking: music by Fidel
Vázquez and Aurora Ferrer. Lyrics by Aurora Ferrer.
Noises and voices: music by Fidel Vázquez, Jordi Borràs and Aurora Ferrer. Lyrics by Aurora Ferrer.
Additional lyrics on View from the hill by Fish. The incredible lightness of gravestones: music by Fidel
Vázquez. Lyrics by Fidel Vázquez and Jordi Planas.
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Review by David Saez
This work of Unoma has involved a significant shift in style and quality.
The album is a personal bet of Fidel Vazquez, who has given to the production a hard sound and sometimes a little dirty, typical of the U.S. west coast. Excellent production, I would almost say that the best production of the decade in any area of Spanish music. The truth is that this gem, this diamond has the great difficulty of not having the necessary promotion in Spain and, consequently, its national and international outreach is limited.
It's an album is much more direct and radical break with the style he showed in his CD "Chroma. " Closer to bands like Tool, letting go a more traditional concept of progressive rock to get into something much more modern and strong.
The power of his songs is a bit muffled the sound off as extremely serious and that mitigates the dynamics of music from other times. That is, this work is ready for modern ears.
In summary, invest a little money to enjoy to this good work.
/progarchives.com/
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[spoiler="Состав"]
- Fidel Vázquez / guitars
- Aurora Ferrer / voice
- Ricard Vives / bass
- Angel Lloberas / Drums
- Pito Costa / Loops and programming
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