John Coltrane Dakar - 1963/1989, FLAC (tracks) torrent

Hi-Res форматы, оцифровки » Оцифровки с аналоговых носителей » Джаз и блюз (оцифровки)

John Coltrane - Dakar

Жанр: Bop
Год первого издания: 1963
Год выпуска: 1989
Лейбл: Prestige/P-7280/Original Jazz Classics/OJC-393/Reissue
Страна-производитель: Germany
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 20:45/18:43
Источник оцифровки: schwarzhoerer (hiresmusic.co)
Треклист:
A1 Dakar 07:09
A2 Mary’s Blues 06:45
A3 Route 4 06:51
B1 Velvet Scene 04:54
B2 Witches Pit 06:40
B3 Cat Walk 07:09

Personal/Production

— Baritone Saxophone – Cecil Payne, Pepper Adams
— Bass – Doug Watkins
— Drums – Art Taylor
— Piano – Mal Waldron
— Tenor Saxophone – John Coltrane

— Engineer – Rudy Van Gelder
— Supervised By [Supervision] – Teddy Charles
— Recorded in Hackensack, NJ; April 20, 1957
— First released in 1963
— Mastered By [Reissue] – Phil De Lancie
— Reissue mastering at Fantasy Studios, Berkeley
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foobar2000 1.2.9 / Dynamic Range Meter 1.1.1
log date: 2013-10-22 19:38:50

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Analyzed: John Coltrane / Dakar
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DR Peak RMS Duration Track
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DR13 -0.79 dB -16.79 dB 7:09 01-Dakar
DR14 -0.39 dB -16.60 dB 6:45 02-Mary's Blues
DR13 -0.41 dB -16.36 dB 6:51 03-Route 4
DR13 -2.29 dB -17.40 dB 4:54 04-Velvet Scene
DR13 -0.47 dB -15.68 dB 6:40 05-Witches Pit
DR13 -0.53 dB -16.24 dB 7:09 06-Cat Walk
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Number of tracks: 6
Official DR value: DR13

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 4608 kbps
Codec: PCM
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Personal/Production

Baritone Saxophone – Cecil Payne, Pepper Adams
Bass – Doug Watkins
Drums – Art Taylor
Piano – Mal Waldron
Tenor Saxophone – John Coltrane
Engineer – Rudy Van Gelder
Supervised By [Supervision] – Teddy Charles
Recorded in Hackensack, NJ; April 20, 1957
First released in 1963
Mastered By [Reissue] – Phil De Lancie
Reissue mastering at Fantasy Studios, Berkeley

Ripping Info / Technical Log
Hardware:
TT: Clearaudio “Custom”
Cartridge: Clearaudio Virtuoso V2
Interconnects: Clearaudio (Original)
Phonopreamplifier: Pro-Ject Phono Box RS
Cleaning process:
Wood glue: no
Okki Nokki: Yes
Recording:
Recorder: Tascam DR100 MKII connected with the Pro-Ject Phono Box RS
Interconnects: Audioquest Diamond Back XLR
Software / Treatment /Tagging
This is what I do in general. Not every step is done for all my rips – otherwise as mentioned below:
Clickrepair
Light de-Clicking, significant clicks/anomalies manually removing
De-Noising: no
@ Level: 4 / 0% auto / various settings
DeCrackle: off
Pitch Protection: on
Reverse: on
Method: Simple
Clickrepair / iZotope RX Advanced
Lead in, Lead out, gap between the tracks – no signal @ level: 100 – 100% auto: always (not in live recordings!)
heavy clicks / anomalies ( mark the region, copy in a new (iZotope RX Advanced) file. Open in Clickrepair (every option off) and let it run until the click/part and repair/removing manually (Clickrepair is able to calculate the possible groove running, try out how it most fits …)
iZotope RX Advanced
manual click/anomalies removal – very carefully (if necessary) / various settings
split into individual tracks
FLAC
dbPowerAmp: Level 5 (default)
Tagging/DR-Log
MP3tag: Yes (incl. individual Tags)
Discogs Tagging via FOOBAR2000 (where available)
DR-Log: via FOOBAR2000 (using the 24-bit/96khz cleaned wave files)
Artwork
Canon EOS 1100D – Digital Camera
PSP 9.0 – Preparation
That’s all; no any other treatments!
Please note, sometimes less is more!
Please burn gapless to match original tracklayout.

Record shape
Side A Ex – NM
Side B Ex – NM
Note! The LP conditions are in very good conditions – see above! I try to do my very best to clean it from every click(s) and anomalies, that’s for sure. My aim is to use clickrepair on a very low level. My own experience has shown me if the “Clickrepair-Level” is too high (over 15), it can be happen that you lose music signals, especially at acoustic guitar music and/or also at hard electronic signals.Sometimes less is more!
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