Robert Normandeau - Figures - 1999, FLAC (image+.cue), lossless torrent

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Robert Normandeau / Figures

Жанр: Avant-garde, Experimental, Electroacoustic
Страна-производитель диска: Canada
Год издания: 1999
Издатель (лейбл): empreintes DIGITALes
Номер по каталогу: IMED9944
Аудиокодек: FLAC (*.flac)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 59:56
Источник (релизер): đorđe
Наличие сканов в содержимом раздачи: да
Треклист:
1. Le reynard et la rose (The fox and the rose) - Odile Magnan / Robert Normandeau 14:54
2. Figures De Rhétorique, for tape & piano - Jacques Drouin / Robert Normandeau 13:43
3. Venture - Robert Normandeau 19:21
4. Ellipse - Robert Normandeau / Arturo Parra 11:58
[spoiler="Лог создания рипа"]
Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 27. October 2012, 23:35

Robert Normandeau / Figures

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TOC of the extracted CD

Track | Start | Length | Start sector | End sector
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1 | 0:00.00 | 14:54.67 | 0 | 67116
2 | 14:54.67 | 13:43.67 | 67117 | 128908
3 | 28:38.59 | 19:21.70 | 128909 | 216053
4 | 48:00.54 | 11:58.10 | 216054 | 269913

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Filename D:\download\normandeau\figures\Robert Normandeau - Figures.wav

Suspicious position 0:59:58

Peak level 96.6 %
Extraction speed 8.7 X
Range quality 99.9 %
Test CRC 0C6D3F88
Copy CRC 0C6D3F88
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Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database

None of the tracks are present in the AccurateRip database

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[/spoiler]
[spoiler="Содержание индексной карты (.CUE)"]
REM GENRE Avantgarde
REM DATE 1999
REM DISCID 370E0E04
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Robert Normandeau"
TITLE "Figures"
FILE "Robert Normandeau - Figures.flac" WAVE
TRACK 01 AUDIO
TITLE "Le renard et la rose (1995)"
PERFORMER "Robert Normandeau"
INDEX 01 00:00:00
INDEX 02 04:02:29
INDEX 03 06:41:29
INDEX 04 09:30:28
INDEX 05 11:28:37
TRACK 02 AUDIO
TITLE "Figures de rhйtorique (1997)"
PERFORMER "Robert Normandeau"
INDEX 00 14:47:67
INDEX 01 14:54:67
INDEX 02 15:46:51
INDEX 03 16:02:60
INDEX 04 19:50:37
INDEX 05 20:04:47
INDEX 06 22:23:59
INDEX 07 22:34:28
INDEX 08 25:35:72
INDEX 09 25:44:74
INDEX 10 27:38:11
TRACK 03 AUDIO
TITLE "Venture (1998)"
PERFORMER "Robert Normandeau"
INDEX 00 28:31:59
INDEX 01 28:38:59
INDEX 02 30:45:57
INDEX 03 32:27:13
INDEX 04 32:51:49
INDEX 05 33:47:68
INDEX 06 34:01:46
INDEX 07 35:04:59
INDEX 08 35:31:60
INDEX 09 38:58:29
INDEX 10 39:44:02
INDEX 11 41:53:74
INDEX 12 43:23:67
TRACK 04 AUDIO
TITLE "Ellipse (1999)"
PERFORMER "Robert Normandeau"
INDEX 00 47:53:54
INDEX 01 48:00:54
INDEX 02 51:32:59
INDEX 03 54:07:42
INDEX 04 56:01:35
[/spoiler]
[spoiler="Об исполнителе (группе)"]
Normandeau is one of the leading contemporary musique concrète artists, and this, his third solo release, makes it easy to see why. His attention to sonic detail is unmatched, and each of his pieces amply rewards repeated and careful listening. The opening piece continues a cycle started on his previous Empreintes Digitales release Tangram. "Le Renard et la Rose" is the third part of a cycle that includes Tangram's "Éclats de Voix" and "Spleen," based exclusively on the use of the human voice. Each of its five parts associates an emotional state with a sonic framework, from the opening laughter of Babbling and Rhythm to the closing Serenity and Texture. "Figures de Rhétorique" is Normandeau's first recorded work for instrument and tape, in this case the piano, where he created a pianist's score during the final stages of composition, and where the pianist is free to interpret a number of the passages. "Ellipse" also exists in a version for tape and guitar, although a tape-only version is presented here. For many listeners, the highlight of this collection is "Venture," where Normandeau mines sounds from pop music of the 1960s, similar in origins to fellow Canadian John Oswald's famed plunderphonics. However, where Oswald intends to let the listener make the connections between the plunderphonic piece and its sources, Normandeau blurs the memories, and except for a few unaltered moments of the Beatles' "Revolution No. 9," most of the excerpts are too obscured to recognize. Nevertheless, "Ventures" is a fascinating piece, showing the variety of responses contemporary composers make to the explorations made by the pop musicians of our formative years.

By François Couture in All-Music Guide (USA), August 1, 2001
[/spoiler]
[spoiler="Об альбоме (сборнике)"]
Figures

The first meaning of the French word ‘figure’ is ‘the body.’ To describe its form in sound, to interpret it. Volumes, surfaces, lines and points studied for themselves. ‘Figure’ also means the human face. Like the one on the cover of this disc, like the human presence that we find all too often absent in this music. Finally, the figure is the element that stands out from the background. The figure is the significant element and the author’s signature; in the background we usually find elements that are less personal and more obvious. When I am working on a piece it is the figure that I look for, the sound or family of sounds that will characterize it in a significant way, and indelibly.
Laughing figures for Le renard et la rose. Irresistible laughter, the wild joy that we need so much and which is too often lacking in concert music. Figures of meaning in Venture, where figurative elements belong to another era and another musical genre: rock. The aims are so different, but in many other ways we are so alike. Figures of speech, in Figures de rhétorique, describe the relationship between the tape and the piano, and how the latter always moves from the foreground to the background in this music constructed from a set of instrumentalist’s materials that is recorded and transformed, or played live. Figures and grounds for Ellipse and the way it is marked by the figures the guitarist sketched from the moment of the initial studio work over the grounds made of electronic music.

Robert Normandeau, Montréal [English translation: Tom Carter, v-99] - from linear notes on CD "Figures - Robert Normandeau" -
[/spoiler]