Tyondai Braxton - Hive1 - 2015, FLAC (tracks), lossless torrent

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Tyondai Braxton / Hive1

Жанр: Electronic, Avant-Garde, Experimental
Носитель: WEB
Страна-производитель диска (релиза): US
Год издания: 2015
Издатель (лейбл): Nonesuch Records
Страна исполнителя (группы): US
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 00:42:08
Источник (релизер): WEB
Наличие сканов в содержимом раздачи:
Треклист:
1 Gracka 3:02
2 Boids 7:58
3 Outpost 6:35
4 Studio Mariacha 1:40
5 Amlochley 7:02
6 Galaveda 2:04
7 K2 4:20
8 Scout1 9:26
[spoiler="Лог создания рипа"]

[/spoiler]
[spoiler="Лог проверки качества"]
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Gracka.wav]

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This track looks like CDDA with probability 100%

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Processing file: [02. Boids.wav]

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Processing file: [03. Outpost.wav]

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This track looks like CDDA with probability 100%

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Processing file: [04. Studio Mariacha.wav]

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This track looks like CDDA with probability 100%

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Processing file: [05. Amlochley.wav]

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This track looks like CDDA with probability 100%

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Processing file: [06. Galaveda.wav]

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This track looks like MPEG with probability 100%

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Processing file: [07. K2.wav]

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This track looks like CDDA with probability 76%

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Processing file: [08. Scout1.wav]

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This track looks like CDDA with probability 99%

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Final Conclusion:
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Could not qualify the source of these tracks.
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Доп. информация:
[spoiler="Album Info & Reviews"]
Composed and recorded by Tyondai Braxton
Percussion recorded by Damon Whittemore at Flux Studio, NYC
Mixed by Damon Whittemore and TB at Flux Studio, NYC
Mastered by Matt Colton at Alchemy Mastering, London

Design by John Gall
Illustration by Heesang Lee
Photo: HIVE at the Guggenheim Museum, NYC 2013, by Ports Bishop

HIVE Pods designed and fabricated by Uffe Surland Van Tams

Nonesuch releases HIVE1, the label debut from Tyondai Braxton on May 12, 2015. Written and recorded throughout 2013 and 2014, the recording comprises eight pieces that were originally conceived for a performance work called HIVE that debuted at New York’s Guggenheim Museum in 2013. The work evolved into HIVE1.
Following its New York premiere, HIVE was performed at the Sydney Opera House, the MONA FOMA festival in Tasmania, and London’s Barbican Centre as part of Nonesuch’s 50th anniversary celebration. The piece was created as a live multimedia work that was part architectural installation and part ensemble performance with five musicians sitting cross-legged atop their own space-age oval pods. Designed by Danish architect Uffe Surland Van Tams, each pod was programmed to complete the sonic mood of the piece with ever-changing LED light emitting through its perforated wooden walls. The piece derived its name, as Braxton told London’s Guardian, because "there’s a very social aspect to what’s happening in this project. Technologically speaking, the performers of the piece are very connected together."
Praised by the Washington Post as "one of the most acclaimed experimental musicians of the last decade," Braxton has been writing and performing music under his own name and collaboratively, under various group titles, since the mid-1990s. He is the former front man of experimental rock band Battles, whose debut album Mirrored was both a critical and commercial success. Since departing Battles in 2010, Braxton has focused on composing music for HIVE, as well as composing commissioned pieces for ensembles such as The Bang on a Can All Stars, Kronos Quartet, Alarm Will Sound, and Brooklyn Rider. In 2012, he collaborated with Philip Glass during the ATP I'll Be Your Mirror festival. He has also performed his orchestral work Central Market with the Los Angeles Philharmonic, London Sinfonietta, BBC Symphony Orchestra, and New York’s Wordless Music Orchestra. - nonesuch.com

After leaving Battles, Tyondai Braxton focused on more rarefied projects: Central Market was an ambitious orchestral work, while its follow-up HIVE1 debuted as an installation at the Guggenheim Museum. However, these delightfully mercurial pieces -- which were composed for two modular synthesizers and three percussionists -- often make both Central Market and Braxton's work with Battles feel downright mainstream. The way he plays with and contrasts circuits and wood harks back to his early days as a composer, as well as the early days of electronic music: "K2"'s alien field recordings recall Louis & Bebe Barron's Forbidden Planet score, while "Gracka"'s arpeggios and layers of percussion suggest an exploded version of Raymond Scott's Soothing Sounds for Baby pieces, right down to the way certain passages sound like a marching cadence for army ants. Indeed, HIVE1 is just as conceptual in its own way as Central Market, which riffed on 2008's stock market collapse as well as Stravinsky's Petrushka. Its busy, buzzing synths and the way its song cells form into a greater whole vividly call to mind cross sections of an insectoid culture at work, and Braxton's approach is just as intricate. For most of the album, he revels in variation and exploration rather than climactic statements: even though the beats on "Boids" eventually tower like redwoods, it's the woodpecker-like call-and-response rattles that anchor the piece. Similarly, he finds a complementary balance between the longer and shorter pieces, with vignettes like the spring-loaded "Studio Mariacha" and droning "Galaveda" setting the stage for "Scout1," which moves from aggressive to regal and back again in a way that feels like a microcosm of Central Market's grand sweep. Here and throughout HIVE1, there's an audacious sense of movement and whimsy, perhaps best embodied by "Amlochley," where flitting synths and itchy percussion briefly coalesce into dance music before scattering once more. Though this is some of Braxton's most abstract music, it might be the purest expression of his cerebral playfulness yet. - Heather Phares, AMG
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[spoiler="Состав"]
Tyondai Braxton, synthesis, sampling
Ben Vida, modular synth (8)
Chris Thompson, percussion 1 (2, 3, 7, 8)
Matthew Smallcomb, percussion 2 (3, 8)
Yuri Yamashita, percussion 3 (3, 8)
[/spoiler]