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Электронная музыка » Industrial, Noise, EBM, Dark Electro, Aggrotech, Cyberpunk, Synthpop, New Wave » Industrial, Noise (lossless)
Daniel Menche / Eye On The Steel Жанр: Experimental, Noise, Sound Art Носитель: CD Страна-производитель диска (релиза): Canada Год издания: 2004 Издатель (лейбл): Substractif / Alien8 Recordings Номер по каталогу: SUBSF07 Страна исполнителя (группы): US Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Битрейт аудио: lossless Продолжительность: 01:14:03 Источник (релизер): свой фирменный диск Наличие сканов в содержимом раздачи: Треклист: 1. untitled 2. untitled 3. untitled 4. untitled 5. untitled 6. untitled 7. untitled 8. untitled 9. untitled 10. untitled 11. untitled [spoiler="Лог создания рипа"] Exact Audio Copy V1.0 beta 4 from 7. December 2014 EAC extraction logfile from 3. May 2015, 21:08 Daniel Menche / Eye On The Steel Used drive : ASUS CRW-5232AS Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Installed external ASPI interface Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%--picture="%coverfile%"%hascover% %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:53.18 | 0 | 26492 2 | 5:53.18 | 7:09.21 | 26493 | 58688 3 | 13:02.39 | 4:52.18 | 58689 | 80606 4 | 17:54.57 | 4:48.28 | 80607 | 102234 5 | 22:43.10 | 5:05.50 | 102235 | 125159 6 | 27:48.60 | 9:25.39 | 125160 | 167573 7 | 37:14.24 | 6:08.47 | 167574 | 195220 8 | 43:22.71 | 5:04.18 | 195221 | 218038 9 | 48:27.14 | 5:12.31 | 218039 | 241469 10 | 53:39.45 | 10:54.64 | 241470 | 290583 11 | 64:34.34 | 9:28.25 | 290584 | 333208 Track 1 Filename D:\zzz\01 - untitled.wav Pre-gap length 0:00:02.00 Peak level 99.9 % Extraction speed 3.6 X Track quality 99.9 % Test CRC B84BC920 Copy CRC B84BC920 Accurately ripped (confidence 2) [BE5B98DD] (AR v1) Copy OK Track 2 Filename D:\zzz\02 - untitled.wav Peak level 100.0 % Extraction speed 4.3 X Track quality 99.9 % Test CRC 2DE279D0 Copy CRC 2DE279D0 Accurately ripped (confidence 2) [01847557] (AR v1) Copy OK Track 3 Filename D:\zzz\03 - untitled.wav Peak level 98.9 % Extraction speed 4.9 X Track quality 100.0 % Test CRC 1026AD09 Copy CRC 1026AD09 Accurately ripped (confidence 2) [0B54C1F1] (AR v1) Copy OK Track 4 Filename D:\zzz\04 - untitled.wav Peak level 99.8 % Extraction speed 5.2 X Track quality 100.0 % Test CRC 75FAACF0 Copy CRC 75FAACF0 Accurately ripped (confidence 2) [33C464C9] (AR v1) Copy OK Track 5 Filename D:\zzz\05 - untitled.wav Peak level 100.0 % Extraction speed 5.6 X Track quality 100.0 % Test CRC B32367A9 Copy CRC B32367A9 Accurately ripped (confidence 2) [8724F512] (AR v1) Copy OK Track 6 Filename D:\zzz\06 - untitled.wav Peak level 100.0 % Extraction speed 6.2 X Track quality 100.0 % Test CRC 9D3CA3CD Copy CRC 9D3CA3CD Accurately ripped (confidence 2) [1F06D81F] (AR v1) Copy OK Track 7 Filename D:\zzz\07 - untitled.wav Peak level 100.0 % Extraction speed 6.5 X Track quality 100.0 % Test CRC 915D1710 Copy CRC 915D1710 Accurately ripped (confidence 2) [34791159] (AR v1) Copy OK Track 8 Filename D:\zzz\08 - untitled.wav Peak level 95.1 % Extraction speed 6.7 X Track quality 100.0 % Test CRC 0ADBD11D Copy CRC 0ADBD11D Accurately ripped (confidence 2) [AAD5F9FF] (AR v1) Copy OK Track 9 Filename D:\zzz\09 - untitled.wav Peak level 97.7 % Extraction speed 6.3 X Track quality 99.9 % Test CRC B26AF73B Copy CRC B26AF73B Accurately ripped (confidence 2) [C5739C25] (AR v1) Copy OK Track 10 Filename D:\zzz\10 - untitled.wav Peak level 100.0 % Extraction speed 7.6 X Track quality 100.0 % Test CRC 4216653F Copy CRC 4216653F Accurately ripped (confidence 2) [30E71814] (AR v1) Copy OK Track 11 Filename D:\zzz\11 - untitled.wav Peak level 100.0 % Extraction speed 8.0 X Track quality 100.0 % Test CRC 2FC1037C Copy CRC 2FC1037C Accurately ripped (confidence 2) [7DCD2207] (AR v1) Copy OK All tracks accurately ripped No errors occurred End of status report ==== Log checksum FB3A304395143EC2E5FAA9FEF0BAF3F0FFFF41A7E8F17C5B4702B7D57EF746D8 ==== [/spoiler] [spoiler="Содержание индексной карты (.CUE)"] REM GENRE Noise REM DATE 2004 REM DISCID 9A115A0B REM COMMENT "ExactAudioCopy v1.0b4" PERFORMER "Daniel Menche" TITLE "Eye On The Steel" FILE "01 - untitled.wav" WAVE TRACK 01 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "02 - untitled.wav" WAVE TRACK 02 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "03 - untitled.wav" WAVE TRACK 03 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "04 - untitled.wav" WAVE TRACK 04 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "05 - untitled.wav" WAVE TRACK 05 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "06 - untitled.wav" WAVE TRACK 06 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "07 - untitled.wav" WAVE TRACK 07 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "08 - untitled.wav" WAVE TRACK 08 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "09 - untitled.wav" WAVE TRACK 09 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "10 - untitled.wav" WAVE TRACK 10 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 FILE "11 - untitled.wav" WAVE TRACK 11 AUDIO TITLE "untitled" PERFORMER "Daniel Menche" FLAGS DCP INDEX 01 00:00:00 [/spoiler] [spoiler="Лог проверки качества"] d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav auCDtect: CD records authenticity detector, version 0.8.2 Copyright (c) 2004 Oleg Berngardt. All rights reserved. Copyright (c) 2004 Alexander Djourik. All rights reserved. ------------------------------------------------------------ Processing file: [01. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [02. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [03. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [04. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [05. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [06. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [07. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [08. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [09. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 99% ------------------------------------------------------------ Processing file: [10. untitled.wav] ------------------------------------------------------------ This track looks like CDDA with probability 100% ------------------------------------------------------------ Processing file: [11. untitled.wav] ------------------------------------------------------------ Could not qualify the source of this track. ------------------------------------------------------------ Final Conclusion: ------------------------------------------------------------ These tracks looks like CDDA with probability 100% [/spoiler] Доп. информация: [spoiler="Album Info & Review"] Recorded and mixed Summer of 2003 at House Of Menche and Private Studio Recordings Very special gratitude for the following: Gary Worsley, Tim Stollenwerk, Eric Hoffman, Randy Yau, Scott Arford, Damion Romero, Scott Konzelmann, Kiyoshi Mizutani, Francisco Lopez, Carl Farrow, John Wiese, Vanessa Renwick, Bill Daniel, Zbigniew Karkowski, Seze Devres, Naut Humon and Dimitris Kariofillis. While many musicians chose to remain quiet, or at least rather vague and theoretical when it comes to the question of intent, Portland, Oregon’s Daniel Menche is a sound artist whose credo is straightforward and distinct. In his music, Menche aims to project pure emotion, making a direct link between spirit and sound. There’s no flaccid improvisational drivel here, or bland new age sounds feigning a deep pathos. Menche’s M.O., though indiscriminately accepting of any and all sounds as worthy source material, is one that’s far more structured than one might expect from an artist of his nature. Comparing his work to storytelling, Menche concentrates on purposeful sound arrangement, with beginnings, middles and ends, each contributing in a specific way to the mood of the piece. He eschews classification as a noise artist, and while many of his techniques suggest similarities to musicians who work within that realm, Menche works within specific structures, with a meticulous sense of the relationships between sounds and the overall development of a piece. Eye on the Steel is Menche’s 13th CD since his 1993 debut and contains far more power than Menche’s relative obscurity would suggest. While Menche’s detailed compositional techniques aren’t readily apparent, the first of Eye on the Steel’s 11 untitled tracks rises to a roar and moves in a familiar arc before yielding to the second track’s hearty crunch. Transitions in mood and sound are persistent, and while Menche’s work is minimalist to a degree, he’s not content to ride out a single idea for the duration of a piece. A gifted ability to render shifts in timbre, rhythm and texture distinguishes Eye on the Steel, and the natural feel of the changes adds some credence to Menche’s statements about his music as an extension of his being. Menche, who avoids the use of synthesizers and other advanced technologies, often relies on contact mics as his “instruments,” and his body is a frequent sounding board, literally, upon which the mics are raked and manipulated. Thereby, the human aspect of his music begins in its origins, and while there are no obvious bio-musical signposts to signal it, Menche’s music retains a sense of humanity. It’s something that’s more easily appreciated on a conceptual basis, perhaps, but that isn’t to say that, genesis aside, Menche’s creations are typically mundane. Eye on the Steel is an especially diverse creation, in comparison to some of Menche’s past work, with masses of gristly buzz in stark contrast to cleaner sustained electronic peals and heavy, glitched pulses. The diversity isn’t the result of unfinished explorations or tossed-off experiments, either; Menche’s work on the album is consistently engaging, allowing adequate time for ideas to percolate without letting monotony creep in. Even without knowledge of Daniel Menche’s theories and techniques, Eye on the Steel is an impressive array of sound. More realistically, however, the intent is as important a part of the product as the performance, and there’s little worth in the separation of the two. If his music is, as Menche says, his blood, we must simply hope that the clotted, curdled masses that infect him don’t pose a threat to his health. - Adam Strohm, DustedMagazine.com [/spoiler]
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