Queen - Back Chat (UK 12" Single) - 1982, FLAC (tracks) torrent

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Queen - Back Chat

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Жанр: Rock
Страна: Англия
Год выхода сингла: 1982
Год выпуска винила: 1982
Производитель винила: Великобритания
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/96 (float)
Формат раздачи: 24/96
Продолжительность: 11:06
Наличие сканов: да

Треклист:
A1. Back Chat (Re-Mix) (06:54)
B1. Staying Power (04:12)

Лейбл: EMI
Каталожный номер: 12EMI 5325
Состояние винила: Near Mint
Устройство воспроизведения: Pro-Ject Debut III
Головка звукоснимателя: Ortofon Super
Предварительный усилитель: Bellari VP130 Tube Phono Preamp
АЦП: ESI Juli@
Программа-оцифровщик: Adobe Audition 3.0
Обработка: ClickRepair
Источник оцифровки: DjPaulT (BTG)
Дата: 15.07.2013
[spoiler="Спектры"]



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[spoiler="DR=13"]
foobar2000 1.3.16 / Dynamic Range Meter 1.1.1
log date: 2019-07-03 23:35:52

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Analyzed: Queen / Back Chat (UK 12")
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DR Peak RMS Duration Track
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DR13 -0.86 dB -16.32 dB 6:54 01-Back Chat (Re-Mix)
DR13 -1.10 dB -15.98 dB 4:12 02-Staying Power
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Number of tracks: 2
Official DR value: DR13

Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2814 kbps
Codec: FLAC
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[spoiler="О сингле"]
DjPaulT писал(а): "Back Chat", written by the bass guitarist John Deacon, is the track most influenced by black music on the 1982 Queen album Hot Space. Deacon (who differed from his band-mates, in that he was the only one raised on soul instead of rock and roll) had chosen a no-compromise method of eliminating any rock elements from his songs for Hot Space. This act of defiance caused friction amongst fellow band members, particularly Brian May, who fought to retain at least some rock sensibilities in their funk diversions. After heated debate, the band finally decided to include a guitar solo on "Back Chat". It reached #40 on the UK Singles Chart. The track was performed on the Hot Space tour at a faster tempo, with a more rock-orientated arrangement. "Back Chat", the title, is an English idiom referring to a "impertinent or impudent replies, especially to a superior". In a Rolling Stone magazine album review, the critic John Milward described the musical style of the song as: "a hot rock-funk tune, with guitar tracks as slick as an icy dance floor".
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