Marti Jones-Any Kind Of Lie-CD-FLAC-1990-BUDDHA torrent

P R O U D L Y P R E S E N T S

Rel. date: 08.18.2014
Artist: Marti Jones
Album: Any Kind Of Lie
Label: RCA
Catalog Nr: 2040-2-R
Language: English
Genre: Rock
Source: CDDA
Size: 231.98 MB
URL: T R A C K L i S T
01. Living Inside The Wind 04:18
02. I've Got Second Sight 03:40
03. Any Kind Of Lie 03:17
04. Second Choice 03:30
05. Cliche 03:00
06. My Tears Are Poison 04:13
07. Read My Heart 04:17
08. Is This The Game? 03:36
09. One Shade Darker 03:28
10. It's A Crime 03:25
11. Old Friend 02:53
39:37
39:37 min
231.98 MB

R E L E A S E i N F O R M A T i O N

Marti Jones is an American singer and painter originally from
Uniontown, Ohio, United States

Jones was initially a member of the band Color Me Gone, who
recorded one EP for A&M Records in 1983. Her first solo album
1985's "Unsophisticated Time" (A&M), was produced by Don Dixon
Jones and Dixon subsequently married, and Dixon continued to
produce all of his wife's subsequent albums

Two more albums for A&M followed in the 1980s, each of them
featuring a wide range of supporting musicians (including Marshall
Crenshaw, Mitch Easter, The Uptown Horns, Paul Carrack, T-Bone
Burnett, Darlene Love and many others). Jones' sound encompassed
jangle pop, ballads, and even southern-style soul material. Her
voice and singing style reminded some observers of Dusty
Springfield, who mined a similarly eclectic field of pop music;
others compared her voice to that of Linda Ronstadt, Bonnie Raitt
or Annie Lennox

Jones' albums featured both original material (mostly written by
Dixon, or Dixon and Jones together), and covers of songs by
singer/songwriters such as Janis Ian, Elvis Costello, John Hiatt
Jackie DeShannon, Richard Barone, and Graham Parker. For a move to
the RCA label in 1990, Jones relied more heavily on original
material and adapted a somewhat more adult-contemporary sound. She
was dropped by RCA after one album (Any Kind Of Lie)

With Any Kind of Lie, Marti Jones strives for autonomy; keeping
the covers to a minimum (only Clive Gregson's "Second Choice" and
Loudon Wainwright's "Old Friend" make the cut), she and Don Dixon
write the nine remaining songs themselves. The results are mixed:
while none of the couple's originals are weak, Jones' greatest
strength as a performer is as an interpreter of other people's
work -- Any Kind of Lie is an impressive accomplishment, but it
lacks the eclectic fun of her best efforts
G R E E T i N G S

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