Yoko_Ono-Yes_Im_A_Witch_Too-2016-ERP torrent

Yoko Ono-Yes Im A Witch Too-2016-ERP


Quote:


Artist | Yoko Ono

Title | Yes, I'm A Witch Too
Genre | Alternative Format | Album

Source | CDDA Time | 69:09
Label | Manimal Vinyl Records Store | 2016

Catalog | MANI-066 Rip | 2016
Bitrate | 240 kbps Size | 124.80 MB

Freq | 44.1 kHz Encoder | Lame 3.98.4
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---- Tracks +-----------------------------------------------------------------

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01. Walking On Thin Ice (Maestro Version) (with Danny 2:46

Tenaglia)

02. Forgive Me My Love (with Death Cab For Cutie) 4:04

03. Mrs. Lennon (with Peter Bjorn And John) 4:17

04. Give Me Something (with Sparks) 4:20

05. She Gets Down On Her Knees (with Penguin Prison) 3:56

06. Dogtown (with Sean Ono Lennon) 3:22

07. Wouldnit (with Dave Aude) 3:19

08. Move On Fast (with Jack Douglas) 4:10

09. Soul Got Out Of The Box (with Portugal The Man) 3:21

10. Approximately Infinite Universe (with Blow Up) 4:18

11. Yes, I'm Your Angel (with Cibo Matto) 3:18

12. Warrior Woman (with tUnE-yArDs) 2:39

13. Coffin Car (with Automatique) 4:03

14. I Have A Woman Inside My Soul (with John Palumbo) 2:55

15. Catman (with Miike Snow) 5:10

16. No Bed For Beatle John (with Ebony Bones!) 3:20

17. Hell In Paraside (with Moby) 9:51
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---- Notes +-----------------------------------------------------------------

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Few women in the history of rock & roll have stirred as much controversy as

Yoko Ono. Although her romance with John Lennon was hardly the only factor

straining the relationships between the individual Beatles, she made a

convenient scapegoat for the group's breakup, and was repeatedly raked over

the coals in the media for the influence she held over Lennon, both in his

life and his music. Ono's own work as an artist and musician didn't

mitigate the public's enmity toward her; to the average man on the street,

her avant-garde conceptual art seemed bizarre and ridiculous, and her

highly experimental rock & roll (which often spotlighted her primal vocals)

was simply too abrasive to tolerate.
That view wasn't necessarily universal (or true), and in fact the merits of

her work are still hotly debated. Regardless of individual opinion, Ono has

left a lasting legacy; she was an undeniably seminal figure in the history

of performance art, and elements of her music prefigured the arty sides of

punk and new wave (whether she was a direct influence is still debated,

although the B-52's did admit to drawing from her early records). Moreover,

between Lennon's assassination and the myriad drubbings she's taken in the

press and the court of public opinion, an alternate portrait of Ono as a

strong, uncompromising survivor has emerged in more recent years.
"Yes, I'm A Witch Too" arrives nine years after the original "Yes, I'm A

Witch", which found Yoko Ono collaborating with a bewitching and sometimes

bewildering array of artists from the worlds of indie and dance music. This

time, Ono's collaborators range from her son Sean Lennon to Moby to Peter

Bjorn and John. As on "Yes, I'm A Witch", the best moments are often the

wildest and hardest to classify: along with tUnE-yArDs' brash take on

"Warrior Woman" - which appeared previously on "Onobox" - the highlights

include Sparks' torchy, theatrical "Give Me Something" and Ebony Bones'

unsettling, footwork-inspired remix of "No Bed For Beatle John".
Of the more dance-minded remixes, among the best are Danny Tenaglia's

atmospheric version of "Walking On Thin Ice" and Dave Aude's electro

reworking of "Wouldnit", which take Ono's music in very different but

equally authentic directions. "Yes, I'm A Witch Too" may be somewhat

uneven, but its wildly different tracks reaffirm that Ono's music contains

multitudes.