Joëlle Léandre 10 - Can You Hear Me? (2016) torrent

Joëlle Léandre 10
Can You Hear Me?
2016 - Ayler Records: aylCD-146
http://www.ayler.com/joelle-leandre-can-you-hear-me-2015-re-creation.html
https://ayler-records.bandcamp.com/album/can-you-hear-me
* Jean-Luc Cappozzo : trumpet
* Alexandra Grimal : soprano saxophone, tenor saxophone
* Jean-Brice Godet : clarinet, bass clarinet
* Christiane Bopp : trombone
* Guillaume Aknine : electric guitar
* Théo Ceccaldi : violin
* Séverine Morfin : viola
* Valentin Ceccaldi : cello
* Joëlle Léandre : double bass
* Florian Satche : drums, percussion

http://www.jlcappozzo.fr/
http://www.alexandragrimal.com/
http://www.jeanbricegodet.com/
https://www.christianebopp.fr/
http://www.tricollectif.fr/guillaume-aknine/
http://www.theoceccaldi.com/
http://www.severinemorfin.fr/
https://www.valentinceccaldi.com/
https://www.joelle-leandre.com/
http://www.tricollectif.fr/florian-satche/

Recorded live in concert by Céline Grangey at Arsenal de Metz,
Metz, Moselle, Grand Est, France, on January 29th, 2015.
https://fr.wikipedia.org/wiki/Arsenal_(salle_de_spectacle)
Reviews


By Eyal Hareuveni
http://www.freejazzblog.org/2016/08/joelle-leandre-10-can-you-hear-me-2015.html

French double bass master Joëlle Léandre is known as a unique and innovative
free-improviser who keeps expanding the sonic palette of the double bass, but
has rarely focused on the field of orchestral composing. Her major composition
so far is “Can You Hear Me?”, dedicated to Léandre parents, written for a
tentet and premiered in the 2009 (and released as Live at the “Ulrichsberger
Kaleidophon”, Leo Records, 2011).

This is a reflexive work-in-progress that addresses Léandre's, or any other
creative artist's, existential question, a cry for an echo from another
presence. Why do we keep creating this kind of art? Do we reach audience's
minds and hearts? Do we change the audience's conceptions about art? Social
conventions? Gender issues? What about politics? Obviously, Léandre's art is
always very personal, as it radiates her restless, passionate and often funny
character, yet she is also a very political person. Léandre is always looking
for means to shake and change old and archaic conventions and institutions - in
art, in society, and in politics. She demands a better, egalitarian, and more
compassionate approach, and quite often tends to mock the pretentious ones who
cling to some kind of a superior status.

[...]

--

By Grego Applegate Edwards
http://gapplegatemusicreview.blogspot.com/2016/06/joelle-leandre-10-can-you-hear-me.html

By Ken Waxman
http://jazzword.com/one-review/?id=129168

By John Eyles
http://www.squidsear.com/cgi-bin/news/newsView.cgi?newsID=1938

Bartek Adamczak (pl)
https://www.jazzarium.pl/przeczytaj/recenzje/can-you-hear-me

Par Pierre Gros (fr)
http://www.culturejazz.fr/spip.php?article2620

Par Franpi Barriaux (fr)
https://www.citizenjazz.com/Joelle-Leandre-10.html

Par Xavier Prévost (fr)
http://lesdnj.over-blog.com/2016/04/joelle-leandre-10-can-you-hear-me.html

Por Pachi Tapiz (es)
https://www.tomajazz.com/web/?p=24167