Float(2008) Type 027 1 A Snowflake, for viola & ensemble 3:25
2 Floating/Sinking, for ensemble 4:08
3 A Glacier, song 3:17
4 A Simple Reminder, for ensemble 1:15
5 Stopping on the Broadway Bridge, for cello & ensemble 7:28
6 Another Glacier, song 3:51
7 Something Has Changed, for viola & ensemble 2:23
8 Broken Patterns, for viola &ensemble 3:32
9 An Ending, for viola & ensemble 4:29
10 A Beginning, for viola & ensemble 1:57
Peter Broderick\'s first solo full-length, done after a variety of collaborations and backing stints for other performers, is a short, quiet delight, ten songs just edging over half-an-hour that shows the Portland musician has an ear for the hushed and atmospheric, making his formal studio recording work sound like a recital in a Victorian parlor instead. The piano and strings that make up the opening \"A Snowflake\" set the tone of Float, which could almost be an understated soundtrack to a moody documentary, the soft echo of notes mixing with a room sound where disconnected noises and echoes function almost on the level of the similar sounds Martin Hannett gave Joy Division on Unknown Pleasures -- less dramatic perhaps, but still designed to leave the listener wondering a bit about what exactly is being heard. Piano is Broderick\'s primary instrument throughout, and if his compositions are working in a familiar vein -- more Harold Budd than Glenn Gould, say -- then it\'s all still very well done, with the flowing lyricism of a song like \"Stopping on the Broadway Bridge\" (the longest song on the album and the most accomplished in its feeling of living up to the title), making for a highlight. Calm instances of vocalizations, as on \"A Glacier\" and \"Another Glacier\" add a further layer of almost-clear interpretation that beguiles the listener without fully resolving into clear meaning.
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[url]http://dickthespic.org/2011/10/31/peter-broderick/[/url]