[24/96] AC/DC ‎- Powerage (1978) - 2003, Vinyl Rip torrent

AC/DC ‎- Powerage (1978) - 2003

Sony / Epic, Columbia – 5107621, Europe, Germany

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side 1

01 - Rock 'n' Roll Damnation (03:36)
02 - Down Payment Blues (06:01)
03 - Gimme a Bullet (03:20)
04 - Riff Raff (05:11)

Side 2

05 - Sin City (04:43)
06 - What's Next to the Moon (03:30)
07 - Gone Shootin' (05:03)
08 - Up to My Neck in You (04:12)
09 - Kicked in the Teeth (03:55)

Credits

Personnel

Bon Scott – lead vocals
Angus Young – lead guitar
Malcolm Young – rhythm guitar, backing vocals
Cliff Williams – bass, backing vocals
Phil Rudd – drums

Production

Producers: Harry Vanda, George Young
Engineer: Mark Opitz

Notes

All songs written and composed by Angus Young, Malcolm Young and Bon Scott.

Remastered, 2003 reissue, 180gram

BIEM /GEMA

Barcode and Other Identifiers

Barcode: 5099751076216

Technical Informations

Hannl"limited" Record Cleaning Machine with Rotating Brush
Music Hall MMF 9.1 Turntable
Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
Nagaoka MP-500
Brocksieper Phonomax (Tube Phono-PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Silent Wire NF 5
Wavelab 6.1 recording software
iZotope RX Advanced 2.0

Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > split into individual Tracks
> resampling and dither to 24/96 with iZotope RX Advanced > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-
processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do
an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant
ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the
process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records
recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In
some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria,
which is IMO quite high.