[24/96] Dave Brubeck - Time Further Out - 1961, Vinyl Rip torrent

The Dave Brubeck Quartet - Time Further Out. Miro Reflections (1961) - 2011

Columbia - CS 8490, Impex Rec. - IMP6002-1, USA

LP, Vinyl Rip, 24/96, FLAC (tracks+.cue)

Rip by aksman

Side 1

A1 - It's A Raggy Waltz 5:15
A2 - Bluette 5:23
A3 - Charles Matthew Hallelujah 2:52
A4 - Far More Blue 4:38

Side 2

B1 - Far More Drums 4:00
B2 - Maori Blues 3:55
B3 - Unsquare Dance 2:02
B4 - Bru's Boogie Woogie 2:26
B5 - Blue Shadows In The Street 6:33

All pieces were composed by Dave Brubeck

Credits

Bass - Eugene Wright
Drums - Joe Morello
Piano - Dave Brubeck
Saxophone - Paul Desmond

Artwork By [Cover Painting] - Joan Miro
Mastered by George Marino @ Sterling Sound; NY

Notes

Reissue by Impex Records
Serial No. x/3000 on cover (not shown on image)

Technical Informations

Hannl"limited" Record Cleaning Machine with Rotating Brush
Music Hall MMF 9.1 Turntable
Tonearm Pro-Ject 9cc Evo with Pure Silver Wires
Nagaoka MP-500
Brocksieper Phonomax (Tube Phono-PreAmp)
E-MU 0404 external USB 2.0 Audiointerface
Silent Wire NF 5
Wavelab 6.1 recording software
iZotope RX Advanced for 16-bit/44.1kHz conversion

Vacuum Cleaning > TT > Brocksieper Phonomax > Laptop > Wavelab 6.1 (24/192) > manual click removal
analyze (no clipping, no DC Bias offset) > resampling and dithering to 24/96 with iZotope RX Advanced >
split into individual Tracks > FLAC encoded (Vers. 1.21)

No silence been removed, please burn gapless to match original tracklayout.

Personal Note (from aksman)

With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.