(VERY ADDICTIVE) Hurly Burly - Soundtrack / David Baerwald & t torrent

Hurly Burly - Soundtrack - David Baerwald & the Palindrome Floating Band

http://www.amazon.com/Hurlyburly-Soundtrack-Picture-David-Baerwald/dp/B00000G5PM


Seeder comments on this album:


Open a fresh bag of magic mushrooms, smoke weed or just drink beer, whatever it is you are intoxicating yourself with..
This brilliant music masterpiece is perfect to accompany you during your hazy moments of life!


(IF YOU LIKE THIS ALBUM, DOWNLOAD THE FLAC VERSION, RIPPED AT 826 KBPS FOR OPTIMAL PRESERVATION OF QUALITY!)



http://thepiratebay.se/tor/4173598/Hurly_Burly_-_Soundtrack_-_David_Baerwald__amp__the_Palindrome_Float



http://flac.sourceforge.net/




Customer Review #1
5.0 out of 5 stars Sneaks up on you like a welcome buzz., May 4, 1999

Dim the lights, turn off the tv, open up a window and a bottle of merlot, and listen to the soundtrack
from Hurlyburly, david Baerwald's latest great work. Different in taste and texture from any of Baerwald's
previous efforts, this album sneaks up on you like a welcome buzz. Enjoy.




Customer Review #2
5.0 out of 5 stars Amazing music by David Baerwald from David and David, January 16, 1999

David Baerwald has created a killer jazz/blues soundtrack. Something you would put on at a dinner party
and just chill. He sings one song, Black Mamba Kiss, that is as good as his song "Welcome to the Boomtown"
from his David and David days.



Editorial Reviews
Jerry McCulley
David Baerwald, formerly of late-'80s one-album wonders David & David, a principal contributor to Sheryl Crow's
smash debut, and author of a pair of darkly brilliant, musically adventurous solo albums (Bedtime Stories, Triage),
approaches his first major film-scoring gig with every ounce of his iconoclastic verve intact.
Baerwald and the Palindrome Floating Band (a gathering that includes Mark Isham, Charlie Sexton, and David Torn)
produce an underscore for director Anthony Drazan's adaptation of David Rabe's play--a cutting portrait of a
group of Hollywood players flailing in a cesspool of narcissism, misogyny, and addiction--that segues slyly
from cool, modern takes on traditional jazz-quartet variations into a landscape of boozy R&B vocals and even
skewed country flavors. Much to his credit, Baerwald doesn't let his oft-sardonic muse
(sample titles: "Oedipal Blues," "Mambo Phallistico") mug his smart musical taste; it's all bookended by a
Morricone-esque wordless women's choral "theme" that's as thematically ironic as it is melodically irresistible.