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Survival Unit III - Game Theory (2013) torrent |
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0BCCAC6412F65EFDDED894BFA0493DED9563DB78 |
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udp://tracker.coppersurfer.tk:6969/announce
udp://9.rarbg.me:2850/announce
udp://9.rarbg.to:2920/announce
udp://tracker.opentrackr.org:1337
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| Total Size: |
294.21 MB |
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| Torrent added: | 2014-08-29 09:17:19 |
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Torrent Description
Not Two Records: MW 907-2 http://nottwo.com/PelnaPlyta.php?Id=465
* Joe McPhee: alto saxophone, pocket trumpet * Fred Lonberg-Holm: cello, electronics * Michael Zerang: percussion
http://www.joemcphee.com/survival-unit-3-joe-mcphee-fred-lonberg-holm-michael-zerang.html http://www.joemcphee.com/ http://www.lonberg-holm.info/ http://www.michaelzerang.com/
Recorded in concert on October 26, 2010, at Instants Chavirés (http://www.instantschavires.com/), Paris, France by Jean-Marc Fossat.
Review ~~~~~~
By Martin Schray http://www.freejazzblog.org/2014/01/survival-unit-iii-game-theory-not-two.html
[...]
The beginning of their new album, “Ever Eat Anything Bigger Than Your Head”, is very meditative, Lonberg-Holm and Zerang are very reluctant, they create an almost spiritual atmosphere which enables McPhee to bring in a melancholic blues improvisation before – almost without noticing - the piece escalates into classic free jazz. Exactly in the middle the track seems to stop, as if it was looking around for its possibilities. Introspections, McPhee’s only contribution on pocket trumpet, a harsh Brötzmann-like outburst and McPhee humming are the result.
Lately McPhee’s music has been less motivated by the political situation of African-Americans but more by the sonic exploration of his instruments (“Sonic Elements”) but on this album it seems that he wanted to comment on recent social upheavals again. “Love in the Time of AIDS” just asks what love is today opposed to sex, power and control. On the one hand it is an incredibly sad comment on a feeling that seems to vanish, the piece sounds like a requiem. However, it is also a great musical reminiscence to John Coltrane, Albert Ayler and Pharoah Sanders.
The final track, “A Song for Beggars”, is the most obvious political statement starting with the words “This song won’t feed the starving, nor will conferences on hunger with a fortune spent on talking. Nor will it house the homeless or quench the thirst of millions who will die from lack of water while the vampires drink their blood” – words clearly in the tradition of beat generation authors like Amiri Baraka (“Nation Time” was a tribute to him). It is a dark piece, full of frenzy, yet it is also elegant, beautifully swinging, enrooted in gospel and blues.
Another great album of a great artist.
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