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Metheny, McBride, Sanchez - live at Rams Head 2003 (remaster) torrent |
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| Info hash: |
E91EFEC2B87CC650BE2BC891996F0B07EEAFB870 |
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udp://tracker.coppersurfer.tk:6969/announce
udp://9.rarbg.me:2850/announce
udp://9.rarbg.to:2920/announce
udp://tracker.opentrackr.org:1337
udp://tracker.leechers-paradise.org:6969/announce
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| Total Size: |
204.72 MB |
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| Torrent added: | 2009-01-02 22:13:11 |
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Torrent Description
Pat Metheny with Christian McBride & Antonio Sanchez 2003-10-14, Live at Rams Head, Annapolis, MD (Remaster)
Pat Metheny: Guitars Christian McBride: Bass Antonio Sanchez: Drums
Disc 1 (59:17) 01. Introduction 02. Last Train Home (Pat Metheny) 03. Don't Know Why (Jesse Harris) 04. Song For The Boys (Pat Metheny) 05. How Insensitive (Antonio Carlos Jobim/Vinicius De Moraes) 06. Into The Dream (Pat Metheny) 07. (Go) Get It (Pat Metheny) 08. Number 13 (Pat Metheny) 09. Never Too Far Away (Pat Metheny)
Disc 2 (52:25) 01. James (Pat Metheny/Lyle Mays) -> Pat's Remarks 02. Old Folks (Dedette Lee Hill/Willard Robinson) 03. Question And Answer (Pat Metheny) 04. Cantaloupe Island (Herbie Hancock)
This torrent is a digital remaster of a show located here: http://thepiratebay.se/torrent/3769866/Pat_Metheny_Trio_-_Ram_s_Head__Annapolis__MD_-_Oct_14__2003
The 2003 Rams Head-concert was one of the earlier concerts with the trio behind the Day Trip-album (recorded 2005/released 2008). The show opens with Metheny playing solo stuff, mostly tracks from One Quiet Night (2003) on his Nashville-tuned barytone guitar, and Into the Dream on his Pikasso 42-string. The latter part of the show is played in the trio-format, showcasing Methenys latest trio in a somewhat differemt context than the Day Trip and Tokyo Day Trip EP.
The original recording equipment is probably a stereo mic in the audience, which captured a surprisingly rich recording of the show, albeit with some pretty ugly dynamics (e.g. audience clapping louder than both acoustic and electric sets).
I have done some manual EQ-ing and compressing of the different tracks, balancing the music and the audience. In addition I've ran the recordings through an EQ, a subtle master compressor and limiter, trying to keep the feeling and dynamic width from the show, but making the tracks a bit more playable in a home stereo/headphone playback-situation.
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