Last.Shift.2014.Bluray.1080p.DTS-HD.x264-Grym.mkv
A rookie cop's 1st shift in the last night of a closing police station alone turns into a living nightmare. The plot echoes John Carpenter's 'Assault on Precinct 13' but with supernatural twist.
Director..........: Anthony DiBlasi
Writers...........: Scott Poiley & Anthony DiBlasi
Starring..........: Juliana Harkavy, Joshua Mikel, J. LaRose
iMDB URL..........: http://www.imdb.com/title/tt2965466
SOURCE TYPE.......: Retail Blu-Ray 16,4 GB Movie @ 21635 kbps / 22,5 GB Full
ViDEO SPECS.......: x264 2PASS @ 14000+ Kbps (
[email protected]) - 23.976 fps
AUDiO SPECS.......: English DTS-HD Master 5.1 3715 kbps 48 kHz 24 bit
RUNTiME...........: 1h 28 min
MOViE CROPPED.....: No
FiLM ASPECT RATiO.: 2.35:1 Anamorphic Scope / Letterbox
RESOLUTiON........: 1920 X 1080p
EXTRAS............: Yes
SUBTiTLES.........: English, Spanish
SUBTiTLES EXTRAS..: Sorry no Subtitles on Disc
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Grym's mkv's are encoded in 1920x1080 res. @ 2.35:1, 1.85:1, 1.66:1, 1.33:1 film aspect ratio. Just like a retail Blu-Ray is. This will NEVER change, so don't ask!
Why is Grym's mkv's encoded this way? Read Number 2. Thanks.
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1. Click link below for Guide to help setting up OS, MPC-HC & LAV Filters for
Bit Streaming to HD-Receiver & MAD VR, as well!
http://www.avsforum.com/forum/26-home-theater-computers/1357375-advanced-mpc-hc-setup-guide.html
2. So how can I watch your not cropped x264 rip in the so-called 2.35:1
Anamorphic/Letterbox image, mate?
For starters we have Film Aspect Ratio = Letterbox, CinemaScope, PanaVision etc. =
2.35:1, 1.85:1, 1.66:1, 1.33:1 ect. Film Aspect Ratio is the ratio of the width
of the visible area of the video/film frame to the height of the visible area,
measuring from a 4:3 TV Display. All the Cinematic Aspect Ratios/Framings
mentioned just above apply to the HD resolutions 1080p (NOT 800p) and 720p (NOT
544p) and to the standard resolutions as well, being the DVD resolutions 720x576p
(PAL) & 640x480p (NTSC)